That's Entertainment - 100 Years of Musicals

The Gaiety on South Parade Pier is a relaxed venue for a show. It was set out with tables, which is a great benefit to those of us with longer legs who find two hours confined to a chair in a row with another close in front to be uncomfortable!

There were a lot of numbers in the show - 27 in all. This is challenging for all involved in the production and too many for me to comment on each. The temptation with a show of this type is to choose all those songs which everyone knows and loves. There were some of these in the repertoire, but the creative team were more ambitious in their choices. There were a number that I did not know and showed a wide appreciation of a broad genre of shows from the history of musical theatre. I appreciated having my own knowledge widened.

There was a short introduction to each decade from a member of the cast. This was nicely judged, with a little background and an introduction to the songs and performers that were to follow.

The full company numbers, including “I’ve Got Rhythm”, “The Ballad from Sweeney Todd”, “Fame” and “Back in Time” were all impressively choreographed on what was a small stage for that number of performers. The harmonies came through well and the entire cast shone.  The dancing was impressive throughout. The creative team did not opt for easy routines, but the dancers were up for all that was asked of them. The tap dancing in “I’ve Got Rhythm” and the energy in “I Hope I Get It” were among the numbers which showcased the talents of the dancers in the society,

The solos, duets and numbers involving small numbers of cast members were no less impressive. Jane Pegler singing “Losing My Mind”, Steve Reading’s rendition of “Music of the Night” and the performance of “A Little Fall of Rain” by Becka Wigmore and Fin Hughes were all beautifully performed numbers. In these, and throughout the entire show, the songs were not just sung but the scenes were performed with emotion that showed an understanding of the shows that they came from. There was no scenery to assist - the performers had to rely entirely on their talent, individually and as a group. This they did, and the show never once felt too long for the audience.

I have mentioned only a few of the numbers. I did not do so to say that they were highlights. This would not be fair to each and every performer on stage, from those who have been with the society for many decades, to the newest member, who was introduced to us in the bright and happy number “Just Arrived”.  The show maintained its high quality from start to finish.

There was no single director, instead the programme lists the creative team. They co-ordinated a production that was thoroughly enjoyed throughout by an enthusiastic audience. They, and the talented performers, were supported by lighting and sound teams who did not let them, or us down.

To sum this up in two words - “Thats Entertainment”

Mark De Salis
Deputy Noda Rep

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