Lights, Camera, Cabaret

Lights, Camera, Cabaret was exactly what it set out to be. A joyful, vibrant celebration of movie music, performed by a clearly committed and talented cast at the Pinewood Theatre.

From the moment I arrived, there was a real sense of occasion. I was warmly welcomed by newly elected Chair, Hannah Coe, and immediately drawn into the world of cinema through thoughtful touches. The auditorium, dressed in rich reds, the cabaret tables with gentle lighting, the popcorn on arrival, and a beautifully dressed stage complete with cinematic details all worked together to create a cohesive and inviting atmosphere. It felt like an event, not just a performance, and that’s something many societies overlook.

What really stood out was the care taken with the overall experience. The use of VT introductions, the opening film, and subtle props throughout the evening added texture and storytelling beyond simply standing and singing. These touches elevated the cabaret format and kept the audience engaged throughout. There was also a lovely sense of flow across the evening, with numbers thoughtfully placed to vary pace and tone.

Musically, the evening was strong. The arrangements, led by Thomas Atkinson-Joy, brought creativity and variety, with Pure Imagination a particular highlight and the James Bond Medley cleverly constructed. The mix of backing tracks, piano-led pieces, and more intimate arrangements such as I Don’t Want to Miss a Thing kept things feeling fresh and considered.

From a technical perspective, there were moments where microphone levels felt inconsistent. At times this appeared linked to mic technique, particularly with handheld microphones, where consistent placement would help maintain even sound. Some slight balancing adjustments would also support this. That said, these were small refinements in what was otherwise a very well-delivered evening.

Joseph Hannay’s linking narration helped guide us through the programme. Moving slightly away from script would strengthen the sense of connection, though his personal dedication during Close Every Door was genuinely touching and one of the most memorable moments of the night.

The audience were fully with you throughout, and it’s easy to see why. This was a cabaret full of heart, detail, and clear enjoyment.

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