9 to 5
Information
- Date
- 28th April 2022
- Society
- Solihull On Stage
- Venue
- The Core Theatre, Solihull
- Type of Production
- Musical
- Director
- Danielle Godwin
- Musical Director
- Mel O'Donnell and Richard Jones
- Choreographer
- Sarah Golby
- Producer
- Danielle Godwin
- Written By
- Dolly Parton and Patricia Resnick
The show opens on a busy scene of folk getting ready for a normal 9 to 5 day’s work in an office dominated by the typical alpha male ego. Office politics, broken relationships and gender bias involve three ladies who grasp the opportunity to get their own back, redress the balance and grow in stature along the way. Some hilarious scenes including the marihuana induced fantasies and the kidnapping and ‘suspension’ of the boss tickles the audience - certainly the female punters
Violet the talented and overlooked office manager is well characterised by Sue Harris who strikes a keen balance between uncertainty in a new relationship and assertiveness in her ability to run a large organisation. In the part of Doralee, Lauren Pritchard catches the Dolly Parton accent and style perfectly and delivers her numbers with razzmatazz. Emma Kelly is a revelation as Judy the nervous, newly-divorced office newbie who transforms into a confident independent person capable of running her own life. All three deliver their musical numbers with passion and talent. Meanwhile Nicki Willetts applies herself to the difficult role of Roz the office snoop and torch bearer for the boss and brings the house down with her fantasy in ‘Heart to Hart’. The object of all the angst is the 'sexist and egotistical’ boss Hart played with relish by Steve Hyde and played so well that the audience has little sympathy for his plight. The hope for the males lies in the character of Joe enacted by Louis Simmonds who tries to woo Violet with respect for who she is. Good supporting performances come, among others, from Mark Greenwood as Dwayne, Ruth Bishop as Margaret, Suzanne Brittain as Kathy and Andrew Alton as Tinsworthy. Light-hearted but with a distinct edge, this was a fast moving show with great emotional numbers well sung by the cast, aptly choreographed and with a set that facilitated the different scenes like clockwork. I also enjoyed ‘One of the Boys’. Great Tap dancing.
Well done to everyone involved in the production. A great night’s entertainment.
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