The Wind In The Willows

The Wind in the Willows

Written by Julian Fellowes, with music from George Stiles and Anthony Drewe. The show is based on the classic 1908 children’s book from author Kenneth Grahame. Written in a closely observational manner, highlighting the disappearing age-old patterns of rural life and its effect on the environment and wildlife.

A colourful opening number Spring, beautiful full cast harmonies herald the introduction of various groups of anthropomorphised characters. We initially meet wayward otter youngster Portia - Scarlett Burnham and her mum Mrs Otter - Mary Richards.

Also in the opening number is Mole - Tristan Hood, well observed performance, very expressive, beautiful voice. Venturing to the riverside, hailed by a friendly water rat, Ratty - Daniel Mee, led to Mole’s first ever boat ride. Good interaction between these two, this scene was quite charming and endearing, a gentle melodic meander down the river on a sunny day.

We hear tales about the dangers of the Wildwood; they are rudely interrupted by Mr Toad - Robert Lawton, in a speed boat. Witnessing Ratty’s unimpressed demeanour, alluding to history between the two of them, Mole pushes for more information. To further the tale, despite the potential danger we venture to the wildwood to meet Badger - Frank McGregor.

Mr Toad, eager to experience that next big thrill before anyone else does. Robert Lawton embraced enthusiastically the totally narcissistic essence of this literary classic. Toad seemingly has little or no concern or awareness for anyone other than Toad. Enraptured by the new-fangled motor car (Poop-Poop), Toad proceeds to wreak havoc, driving all around him to despair fearing for their lives.

The dastardly Weasels, led by Chief Weasel – Sam Hands, see the possibility of getting Toad off the road and out of their way. He is sent to prison in a corrupt court. Shay Wright as Lessor Weasel/Boy Hedgehog gave a very noteworthy performance.

Act II gave us some lovely poignant performances and songs, I really enjoyed Mole’s A Place To Come Back To. Mayhem ensues, with Toad incarcerated, Chief Weasel and his villainous minions take over Toad Hall. Mr. Toad escapes prison, starting a country wide search, his friends rally round overthrowing the Wildings. Order is restored. As for Mr Toad, well, onwards and upwards it would seem.

Effective sets. Lighting painting great scenes, creating mood and depth. Sound hampered by late microphone faders throughout, causing missing dialogue. Costumes and make-up excellent. The scene changes in places were covered by amusing link songs, the One Swallow does not a Summer Make and The Hedgehog’s Nightmare.

Director – James Freeman, used the revolving stage to good effect, especially in the boating scenes. A fantastic split screen scene effect using a gauze, showing Weasel mayhem in Toad Hall, whilst our intrepid heroes are planning their attack.

Musical Director – Allison Fisher, did her usual excellent job, the orchestra, and well-schooled singing voices testament to her efforts.

Choreographer – Kayleigh Ann Strong, also appeared in multiple roles in the show, I particularly enjoyed her tap-dancing horse and OTT Stoat personas. Good cast movement throughout. Well cast lively fun filled show.

 

 

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