The Spongebob Musical
Information
- Date
- 18th February 2026
- Society
- Tyne Theatre Productions
- Venue
- Tyne Theatre & Opera House
- Type of Production
- Musical
- Director
- Sonia Hernandez
- Musical Director
- Daisy Hayes
- Choreographer
- Kate Walker
On a lively evening at the Tyne Theatre, I had the pleasure of attending Tyne Theatre Productions’ exuberant staging of The SpongeBob SquarePants: The Musical. It is wonderful to see Tyne Theatre Productions re-join NODA, bringing their creative flair and commitment to District 5. The production, brimming with energy and heart, showcased the tremendous dedication of both cast and crew.
From the outset, the enthusiasm of the cast was profound and the vocal talents of this cast was remarkable. Stand out performances came from Thom Potts who delivered a commendable performance as Perch Perkins, the charismatic TV presenter. Thom skilfully guided both cast and audience through the unfolding mayhem with infectious vigour. His presence anchored the narrative and set the pace for the action-packed evening.
Sam Honour delivered one of my favourite performances as Mr Krabs, capturing the character’s essence with remarkable accuracy. His vivid red hair and spot-on laugh brought the beloved crustacean to life, offering a performance that was both visually striking and true to the original. Sam’s laugh was identical to the cartoon version, and his mannerisms and stage presence truly made him perfect for the role.
Devon Colman gave an impressive performance as Pearl Krabs, the adopted daughter of Mr Krabs. Her rendition of “Daddy Knows Best” was truly outstanding, with her powerful vocals resonating throughout the theatre and leaving a lasting impression on the audience. Devon’s command of the stage and vocal prowess brought remarkable energy to the production, making her portrayal unforgettable.
Carol-Ann Mconnellogue was simply superb as Sandy Cheekys the Squirrel, perfectly embodying the character’s feisty spirit and infectious energy. Her strong accent and lively stage presence made Sandy a joy to watch, particularly during her standout song “Chop to the Top”, which was enhanced by clever lighting effects that brought the number to life. Carol-Ann’s performance was vibrant and memorable, ensuring Sandy shone brightly within the production.
One of the evening’s undeniable highlights was Squidward’s show-stopping number, which was eagerly anticipated and thoroughly enjoyed by the entire audience. Corey Clarke’s portrayal, supported by the ensemble, perfectly captured the humour and spectacle of the character, delivering a performance that was both dazzling and memorable. Squidward’s story lead upto this performance and when it arrived, it certainly did not disappoint garnering enthusiastic applause from all present.
Ben Stoddart deserves special recognition for his outstanding portrayal of SpongeBob SquarePants, bringing the character’s infectious optimism and irresistible charm vividly to life from the very outset. His performance was a true anchor for the production, captivating the audience with each scene. “Simple Sponge” proved to be a genuine highlight of the evening, not only as a pivotal moment for the character, but as a showcase for Ben’s remarkable stage presence and vocal ability. Ben’s rendition of SpongeBob was nothing short of exceptional and his commitment and skill ensured he shone as the star of the show.
The grand finale, led by Dan Ellis as Patchy The Pirate, brought everyone together in a rousing rendition of the iconic SpongeBob SquarePants theme tune – a moment that was clearly enjoyed by all and encapsulated the joyful spirit of the show.
The principal cast’s costumes paid fitting tribute to the cartoon originals, with inventive designs that brought the characters to life on stage. Grace Bain truly looked fantastic as Karen the Computer; her costume was exceptionally designed, perfectly capturing the character’s quirky and futuristic style. Equally, Corey Clarke’s outfit as Squidward Tentacles provided a visual treat—eliciting laughter from the audience each time he appeared, thanks to its clever and humorous execution.
Every member of the cast invested significant effort into their roles, resulting in a performance that was both energetic and engaging. The camaraderie and commitment on display were commendable; the company should be applauded for their professionalism and the infectious fun they brought to the stage.
Translating the animated world of SpongeBob SquarePants into live theatre is no mean feat, and Tyne Theatre Productions should be commended for their approach. The set design, which included Patrick and SpongeBob’s houses, were visually striking and made a strong impression – especially Spongebob’s including his adorable pet snail Gary. However, I didn’t always feel fully immersed in the world of Bikini Bottom. Given the cartoon’s vibrant and eccentric style, I appreciate that recreating such a well-known and imaginative setting is a considerable challenge. This makes it all the more important to transport the audience as effectively as possible, enabling them to engage with the fantasy. The visibility of the rigging for the second level slightly detracted from the overall effect. Introducing further set dressing, more inventive lighting choices, or projection effects could enhance the atmosphere and help bring Bikini Bottom to life, building on the creative jellyfish effects already used. Some of the special effects, such as those depicting eruptions and avalanches, did not always come across clearly to the audience. For instance, boulders were thrown across the stage but were somewhat obscured behind the scenery, making them easy to miss. By contrast, the large beach balls tossed into the audience at the end provided a lively and memorable finale; perhaps these could be adapted to serve as boulders in future performances, ensuring the effects are both visible and engaging. The use of bubbles at the show’s close i must say delighted the younger audience members and added a sense of spectacle and the use of jellyfish hung from the sides of theatre and veing weaved throughout the audience really helped immersing us into Bikini Bottom.
All musical numbers were expertly choreographed by newcomer Kate Walker, whose fresh approach brought vibrancy to the stage. The ensemble executed these routines with precision and enthusiasm, making each dance sequence both engaging and highly effective. Their collective effort added a dynamic element to the production, ensuring the choreography complemented the show’s lively atmosphere.
In summary, Tyne Theatre Productions’ SpongeBob SquarePants: The Musical was a wacky, wild, and wonderfully energetic celebration. The cast’s talent and hard work shone through brightly, providing a memorable night for all in attendance. I look forward to seeing how this talented company continues to develop and entertain as valued members of NODA.
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Show Reports
The Spongebob Musical