The Pirates of Penzance

Arguably the most popular G&S operetta with audiences, The Pirates of Penzance never fails to please, and allows patrons to depart singing or humming one of many of their favourite songs. On the afternoon of our visit this was no exception.

During the overture we were treated to a video montage featuring pictures from the Society archives, expertly arranged by Val McManus. Aaah……..memories!

The curtain rises on a rocky seashore with the male chorus in fine voice and soon to be matched by Jack Archibald as Samuel.  Director, Robin Ożóg’s portrayal of the Pirate King was as expected, as over the top as it should be – no disappointment here! In this scene too we meet Frederic (Gordon Horne) who provided us with a very acceptable leading tenor character. Enter the chorus of daughters matching the gents in their vocal talents. Angie Fowler made a lovely Edith and when joined by the other two minor principal daughters formed a super trio in preparation for the arrival of big sister Mabel (Jennifer Murray). Jen’s soaring soprano voice would, I am sure, have drawn as much praise from Sir Arthur Sullivan as it did from the assembled audience today. This was no less the case when joined in duet with Frederic. The first act would be incomplete without mention of Ruth – the Piratical Maid of all Work, played with obvious experience by Liz Landsman and sung no less confidently throughout.

Act II transfers to a ruined chapel by moonlight.The ruined chapel forming a very attractive set under the experienced management of SM, Margaret Cooze, and the moonlight well-handled as always by designer John Allen.

Major General Stanley (Michael Scott) transfers too from his resplendent red officer uniform in Act One to a more dowdy, dressing gown and slippers. Michael’s patter song in Act One, is only matched in Act Two by “When the Foeman bares his Steel” ably sung by the Cornish accented Sergeant of Police (Martin Tarr).  These two songs most surely be the choice of many audience members as they leave the theatre (irrespective of their knowledge of the lyrics!).

Song of the show for me? Without doubt, the unaccompanied “Hail Poetry” from Act One. Four lines which forever please!

Great work Production Team! From interesting nuances from Director Robin Ożóg, to fine musical handling by MD Eddie MacLennan a completely enjoyable afternoon was had.

I was so happy that I managed to get along to see DGASS, during what was an absolutely manic week show-wise!

Congratulations on a safe return after three years!

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