The Murder Room

Jack Sharkey’s The Murder Room is a lively, fast-paced farce that leans wholeheartedly into the conventions of classic whodunit theatre only to gleefully twist them into absurdity. Rather than building tension in the traditional sense, Sharkey crafts a comedy of errors where mistaken identities, exaggerated performances, and improbable coincidences drive the action forward with relentless energy. Which the cast delivered in spades.

Directed by Ivan Hall 

Set in an old English country house complete with secret passages, looming portraits, and an ominous “murder room” the play initially evokes the familiar atmosphere of an Agatha Christie-style mystery. Using a simple set design to perfection. It quickly becomes clear that suspense is not the primary goal. Instead, Sharkey uses the setting as a playground for comedic chaos. The plot centres on Mavis Hollister,(Kenzie Greenwood), a seemingly sweet but calculating woman who has a habit of marrying wealthy men and then disposing of them. When her latest scheme begins to unravel, a cascade of misunderstandings and impersonations ensues, pulling every character into an increasingly ridiculous web of deception. Edgar (Ivan Hall) is a brilliant character with so many levels and Ivan played him so well. Kenzie brings style and comic timing to the stage and after seeing her in 39 steps this type of role fits her like a glove.

Mrs Lottie Molloy the housekeeper is bumbling but brilliant always thinking but is never quite there which makes her character so lovable, played brilliantly by Suzie James who never disappoints.

Tomi Daynes and Paul Burnett play the in love newly engaged couple of Susan Holister and Barry Draper, Susan is very head in the clouds and Barry is hanging off her every word, great characterisation from them both.

What made this production of The Murder Room particularly engaging is its unapologetic embrace of theatricality. Characters frequently overacted, breaking expectations, and it teetered on the edge of caricature, which enhanced the farcical tone rather than detracting from it. The script demands strong comic timing and physical comedy, which was presented to the audience all the way through, the result was a production that felt exuberant and infectious.

Each member of the cast gave a roaring performance, and it is always a pleasure watching this group. A huge well done.

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