The Great British Bake Off

The Great British Bake Off

Hull Musical Theatre Company

 

Director Cait Atkins, Musical Director Rebecca Barques, Choreographer Josh Murray-Butler Designer Lauren Saunders, Producer Jane Bradley

Middleton Hall

21st May 2026

 

Hull Musical Theatre Company’s production of The Great British Bake Off Musical was a delightful theatrical treat, packed with warmth, humour, energy and heart. Under the direction of Cait Atkins, this charming production captured the spirit of the beloved television series while creating a vibrant stage experience all of its own.

From the moment the audience entered the theatre, the quaint Bake Off atmosphere had already been established with bunting adorning the entire venue, creating an inviting village fête feel that perfectly suited the production. Lauren Saunders’ set design cleverly embraced the practical nature of the show, making excellent use of moving tables and adaptable staging to maximise the performance space for both intimate moments and larger musical numbers.

Josh Murray-Butler’s choreography was exceptionally well crafted, ensuring every cast member was fully utilised throughout the production. The choreography created wonderful shapes, levels and movement across the stage while remaining accessible and effective for the entire company. The ensemble work was particularly impressive, with every chorus member given clear individual characterisation and purpose throughout the show, making the whole cast feel integral to the storytelling.

Musically, the production was superb. Under the expert musical direction of Rebecca Barques, the six-piece live band enhanced every moment of the performance, supporting layered vocals that were consistently strong, balanced and clear throughout. The harmonies across the company were beautifully executed and demonstrated the strength of the musical preparation.

The use of lighting throughout the show effectively enhanced the varying moods and tones, shifting seamlessly between comedy, heartfelt moments and full company spectacle. The stage space itself was exceptionally well used, with the cast confidently filling every corner through both acting and choreography.

The principal cast delivered performances full of personality and charm. David Cameron and Jo Harding as presenters Jim and Kim perfectly captured the cheeky chemistry audiences expect from Bake Off’s iconic presenting duos. Their rapport was natural and entertaining, providing a constant thread of humour throughout the evening.

Dave Ross brought excellent stage presence to Phil, working brilliantly alongside the wider company and contributing strongly to the show’s ensemble dynamic. Karen Shepherd’s Pam added warmth and charm to the production, creating a wonderfully supportive presence within the Bake Off family atmosphere.

 

Harley Shepherd’s Dezza was a standout comedic performance, showcasing excellent comic timing and strong characterisation. Chris Barques as Russel had the audience in stitches throughout, delivering wonderfully observed mannerisms and impeccable comedic delivery that perfectly suited the character.

Adam Bradley brought boundless energy to Hassam, alongside clear and articulate performance skills that made the character instantly engaging. Pip Cook’s Izzy struck exactly the right balance of attitude and confidence without ever tipping into caricature.

Georgina Garton’s Francesca was larger than life in all the right ways, with a truly wonderful vocal performance. Her rendition of “Grow” was particularly moving and emotionally resonant, beautifully enhanced by her soulful voice. “Don’t Send Me Home” was another musical highlight of the evening.Hannah Buchanan’s Babs was perfectly pitched, delivering the character with a wonderfully dry, Victoria Wood-esque quality that felt entirely authentic and beautifully cast.

Chris Marshall’s Ben gave a heartfelt and engaging performance, bringing warmth and sincerity to the role throughout the production. Becky Todd’s Gemma was equally strong, delivering a believable and likeable portrayal that anchored many of the show’s emotional moments.Isla Brodie’s Lily was an absolute sassy little firecracker, full of confidence and charisma, and perfectly suited to the role.

The use of props throughout the production was incredibly well choreographed and executed with precision, adding another layer of visual comedy and creativity to the performance. “Slap It Like That,” led by Phil and the full company, was hilariously staged and demonstrated excellent spatial awareness, comic timing and ensemble coordination, generating huge laughter from the audience.

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