The Lion, The Witch and The Wardrobe

This proved to be a thoroughly delightful presentation of this well-loved story of the adventures of four war-time children inside a wardrobe. Well scripted and produced the story was clearly told aided particularly by the efficiently articulated dialogue from the four main characters. The four children had been wisely cast and their individual and team performances gave the play a helpful lift. It must be remembered, though, that the author has spent time reducing the script to what is necessary and so every line is important. Resist the temptation to throw lines away as being less important.

The children were supported by some very interesting portrayals of the familiar characters. Particularly pleasing were the efforts made to incorporate animal movements where possible. This was especially successful in Mr. Tumnus’s fidgeting and the scary wolves. Mrs. Beaver was a particular favourite with some lovely handwork. It was good to see the thought put into the portrayals by the actors.The homework done by actors can make so much difference to the genuineness of the performance. 

The White Queen dominated without resorting to screaming. It is so easy for this role to become one long rant, but there was some royal dignity here which made her so much more powerful. The difficult role of Aslan was deftly handled although some sound enhancement might have made the roar more scary.

Generally the space was effectively used but every now and then actors crowded in causing masking of the speaker and a lot of back views. This is a problem with limited time in the theatre, but everyone needs to be aware of the extremities of the audience.

The small pieces of scenery were most effective, and the snow falling and melting worked very well. The atmosphere was aided by simple atmospheric lighting which drew the eye into the action. It was a shame that the lanterns were not available to cast sufficient light on the upstage rostra, but at no point was anyone left in the dark. There was a large number of props provided which were well worked. The homeliness of the homes of Mr. Tumnus and the Beavers was effectively created. The simplicity of the wolves trashing Mr. Tumnus’s house was very successful.

Almost all the actors spoke clearly and with understanding. This makes the whole presentation so much more enjoyable for the audience. There is no point in having lines if no one in the auditorium can hear them. 

This proved thoroughly charming with the message coming over strongly. It was an extremely effective display of the youngsters’ talents aided by some good performances by the adults. It was a good choice of material giving lots of opportunities and offering no roles that were simply stage dressing. 

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