South Pacific

Despite the welcomed trend to stage ‘modern musicals’ as soon as they are released for amateur theatre, it’s great to see classics such as these, still strongly placed in society programmes, apparently South Pacific is one of the few musicals in almost constant production around the world.   Factual details, along with more sensitive issues such as racism, which take the heart of this story, need sensitive handling. There was no doubt strong hands were at the helm of this production.

A popular use of back projection showing news reels along with narration opened the scene. With a gradual build of ‘cast business’, intensity grew, supported by a wonderful sound from the balanced, lively band, who were an absolute pleasure to listen to. All songs slipped naturally into the action but it has to be said, ‘Nothing Like a Dame’ blew our socks off.

Principal cast gave some outstanding performances; Nellie’s eagerness and ‘cockeyed’ optimism was plain to see. Emile appeared suave and unassuming, both characters showing warmth and depth although at times, as a couple, the chemistry between them appeared a little diminished. That being said, Emile’s return was quiet, understated and spoke a thousand words, being extremely emotional. Bloody Mary gave an excellent portrayal of the comedic and dramatic elements of her character. Her daughter Liat danced like a dream and performed perfectly all that was asked of her but appeared distanced from the audience. While her scene with Cable was nicely shaped, the developing relationship between them appeared rushed with Liat’s character unable to fully establish itself to its full potential. Cable’s performance showed a maturity that belied his young years, his good looks; fabulous voice and intense acting ability completely suited his character.

It would be great to have a little of what Luther had, his energy levels went through the roof! Along with Nurses, Marines and the other Seabees, a sturdy spine was given to the production, all acting as individuals in their own right.

The technical team deserve a hearty pat on the back, beautiful hues of colour lit the mystical islands giving a hypnotic feel, scene changes went unnoticed and in particular, the projection of Emile and Cable talking to the officers gave a completely realistic feel to the proceedings. What a pity Nellie had to ‘Wash that Man’ without as much as a drop of water in sight!

An excellent production.

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