Sand to the Egyptians & When I Snap My Fingers

I always enjoy visiting the Phoenix Theatre, as the company always offers something new and fresh for the audience, and this eveningwas no exception. The one act double bill provided an entertaining evening. Sand to the Egyptians offered a clever two- hander, while When I Snap My Fingers delivered laugh out loud comedy with hilarious chaos. Together, the productions showcased the skills of this talented cast.  

Our first play, Sand to the Egyptians, begins at a speed dating event, where James meets Natalie. James, played by Chris Austin, and Natalie, the always impressive, Trudy Panting, handled this two- handler like pros. Both Austin and Panting had well rounded characters that were believable, professional and balanced, which allowed the tension between the two characters to naturally build. 

Our second play, When I Snap My Fingers, was my favourite. Husband and Wife, Simon and Maria attend a local club and end up hypnotised by Madame Svengali. However, a fire alarm interrupts the nights entertainment before Svengali can remove the ‘spell’. Cue hilarious next day antics, whilst Simon is trying impress his new boss and his wife at dinner. In complete contrast to the character played in Sand to the Egyptians, Chris Austin, appears here as Simon, the stressed out husband worrying about his future with the company following a take over. Austin was captivating and funny in equal measure, especially when acting like a baby. Catherine Minnis, as Maria, his wife, showed great versatility and excellent comedy timing. From crying to performing a striptease, Minnis had the crowd rolling in the isle with her antics. Jez Portman and Michelle Stringer, managed to remain  in character throughout playing the strait laced American boss and his wife. This must have been quite a challenge to remain focused as the antics were happening around them. Both Portman and Stringer had good American accents, andkept them up throughout the act. Trudy Panting, as Madame Svengali, gave a stand out performance as the hypnotist, complete with great comedy timing and a fabulous costume.  Hannah Evans-Booth was fabulous as the couple’s rebellious teenage daughter. She appeared in many of the act’s funniest moments as well as delivering perfect diction. 

The set for both plays was simple and effective and we, the audience, knew exactly where the action was taking place. Many congratulations to all involved in both plays, especially Helen Shepherd, Director, who successfully managed to bring two different genres to the stage. 

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