Rapunzel

Rapunzel delivered all the classic pantomime magic, following the familiar tale of the long‑locked heroine trapped in a tower for 18 years by the wicked Gothel. With Hilde, Max and Rudi plotting her escape and Gothel scheming to keep Rapunzel’s true identity hidden, the stakes were high. Would she cry those legendary golden tears and claim her rightful place as princess? 

Directed by Marcia Mitchell, this production was fast‑paced, lively and packed with the kind of joyful chaos that makes pantomime fun for everyone. The audience were fully invested, booing, cheering and championing the characters at every turn, especially Brunnhilde (Hilde) Blunderburg and the unsuspecting audience participant, Brian. Even when lines slipped or props misbehaved, the cast handled it with charm, including the mishaps into the comedy, bringing slapstick spirit. 

Kevin Maltby made a confident debut as the dame, stepping into Hilde’s shoes with natural ease. Hilde’s relationship with both Young and Old Max (Oscar Soper and Sam Newman) was comical yet endearing, working together well, putting Max's boy scout badges to good use. Bianca Harker as Rapunzel was a delight — she brought strength, warmth and determination to the role. Nathan Stroud’s Rudi O’Malley was equally engaging, his charisma shining through in every scene. Their Act Two duet, What Is This Feeling?, was a standout moment; their vocals blended beautifully, and their playful loathing chemistry was felt throughout the audience. Katie Proctor’s Gothel was deliciously wicked, commanding and villainous from her very first entrance. Jack James as Waylon – Gothel's pet weasel – was a scene stealer, full of mischievous charm, bouncing off Gothel's sarcasm. Fairyanna (Lindsey James) sprinkled optimism and sparkle, whilst the Deere landladies - Heidi Coleman and Claire Jackson brought moments of humour and keeping their accents strong throughout their musical numbers. Craig Machar and Adele Jamookeeah doubled as both the King and Queen of Evergreen and the King and Queen of England on the Wold. Although the dual casting is scripted, the frequent character changes did slow the pace slightly toward the end, but both performers delivered solid, engaging portrayals of royals. 

Musical Director, Barbara Hockey, once again showcased her talent, delivering rich harmonies and guiding the company through a varied and vibrant score. Babara was also part of the live band providing a flawless accompaniment. The principal characters all provided strong vocals, along with Adele Jamookeeah, Cheryle Hill and Heidi Coleman as harmony singers. Highlight numbers included Titanium, Seasons of Love and APT.  The musical choices were well balanced between nostalgic favourites and modern hits. Older audience members relished in the Fresh Prince of Bel Air sing‑along (despite some lighting issues obscuring the lyrics), while younger viewers sang along to APT with gusto! 

The choreographer, Sheena Brown, ensured the movement suited performers of all abilities, while still showcasing a core group of dancers with more advanced routines. The lyrical dance to My Heart Will Go On, sung beautifully by Lindsay James, was a genuine highlight — expressive, fluid and heartfelt. It was a delight to see a tap number with Nathan taking centre stage, supported by the junior dance troupe. The juniors, choreographed by Kerry-Anne McCormack-Morgan, shone brightly; confident, beaming and clearly loving every moment. Kerry-Anne chose choreography that supported the style of the muscial numbers, such as the sea shanty and Do Your Thing, showcasing the young perfomers’ versatility. 

The set was simplistic and suited the pantomime. It was well utilised with quick scene changes and props that complemented the story. A particularly enchanting moment came during Rapunzel and Rudi’s boat scene. The simple use of moving fabric as waves and rocking of the boat created an authentic sea scene, even the audience members commented on how realistic it looked. There was also creative staging as Rapunzel’s golden tears appeared with a little magical help from Fairyanna’s tissue, creating a charming moment of pantomime wonder. The casts' costumes were vibrant, character‑appropriate and full of pantomime personality, enhancing the visual storytelling throughout. 

The sound and lighting showed a marked step up from previous productions. Aside from the brief sing‑along lighting hiccup, the design complemented each scene beautifully, deepening the atmosphere and drawing the audience further into the story. 

It’s always a pleasure to visit Corby Amateur Theatrical Society. Thank you to Marcia for the warm welcome and hospitality. CATS have some exciting shows lined up for the year ahead and I’m looking forward to seeing what’s in store! 

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