Crazy for You Youth Edition

LEOS Youth Group presented the Youth Edition of 'Crazy For You' at the Duchess Theatre, Long Eaton. The school edition itself is not the strongest adaptation, with noticeable cuts that occasionally lead to moments of confusion in the storytelling. However, this certainly did not hinder the commitment or quality delivered by the company. LEOS Youth Group absolutely smashed it!

It was particularly heartening to see such a strong contingent of young male performers on stage. Many groups struggle to attract young men to perform, and this can impact the overall balance and musicality of a production. Here, however, voices of all genders blended beautifully to create a full, confident and well-supported ensemble sound. The harmonies were strong and the overall vocal standard was impressive throughout.

It is always a delight to see a youth company take on a more traditional, classic musical filled with the timeless songs of the Gershwins. Younger societies play an important role in keeping these older musicals alive, and it was wonderful to hear the music and lyrics performed with such enthusiasm. The audience response said it all, there was a real sense of enjoyment, with many humming along to those familiar tunes.

Findlay Parker as Bobby Child proved himself an exceptional leading man. He carried the production with confidence and charisma, bringing energy and life to the stage throughout. The skill required to anchor a show of this nature should not be underestimated, particularly in someone so young, and Findlay rose to the challenge admirably.

Emily Jones, in her first principal role as Polly Baker, delivered a performance of depth and warmth. She paired beautifully with Findlay, their chemistry developing naturally, and she has a lovely tone to her voice that suited the Gershwin score very well.

Nathan Crookdake gave a solid and entertaining performance as Bela Zangler, embracing the character. Stevie Kirkham as Lank Hawkins showed good development throughout the show, growing into the role and adding personality as the story progressed. Jess Chatten as Irene Roth delivered a good performance and Fran Squire made the most of her smaller role as Lottie Child, portraying Bobby’s formidable mother.

Tom Lightbown and Alice Whitaker were an excellent pairing as Eugene and Patricia Fodor. Their arrival injected fresh comedy into the second act, and they created strong, very funny characters that were a joy to watch.

The Follies - Bethany Stockdale, Roisin Parker, Niamh Syson, Neve Johnson, Bella Syson, Phoebe Litherland, Maddi Woodland, Kiera Bordacs and Emily Dexter - were a fabulous team. Each bringing their individual characters while working seamlessly as a cohesive troupe, both in dance and ensemble singing, delightful to watch in every moment.

The Cowboys, Owain Jones, Ivan Hager, Sam Perrin, Quillen Parker, Taylen Brodsky, Eddie Clarkson, Harrison Ramplin and Finn Cliff also did a great job, particularly in their rendition of “I’m Bidin’ My Time,” which was performed very well.

The Deadrock Citizens, Elsie Sparkes, Sophie Atkinson, Libby Stockdale, Beth Dooley-Roberts, Isobel Pickering, Kate Whitaker, Nefeli Fryganioti and Lucy Gordon formed a confident and well-focused ensemble.

Full ensemble numbers such as “I Got Rhythm,” “Slap That Bass,” and “Stiff Upper Lip” were excellent and really showcased the strength of this company. These big production numbers were delivered with energy, precision and a real sense of enjoyment. The harmonies were well balanced, the choreography slick and confidently performed and the ensemble work disciplined and focused. It was in these moments especially that the depth of talent across the whole cast became apparent, with every performer fully committed and contributing to the overall impact on stage.

A special mention must go to choreographer Aoife Clarke. The choreography was exceptional, slick, stylish and extremely well drilled. The routines were interesting to watch, full of character and performed with polish and precision. Combined with the fabulous costumes created a visual spectacle.

Behind the scenes, the production team provided strong support. Director Siobhan Parker clearly guided the company with confidence, bringing together an entertaining production. Aoife Clarke’s choreography, as mentioned, was a standout feature. Musical Director Shannon O’Donnell drew out the harmonies beautifully, ensuring the company sounded balanced and well rehearsed throughout, supported by Assistant Musical Director Becky Kirkham. Stage Manager Katie Bird ensured quick and efficient scene changes that kept the show moving smoothly.

Sound, managed by Dave Dallard and Jack Clark, supported the performers well, and the lighting design by Stephen Greatorex made a significant contribution to the atmosphere, the star cloth in particular was a lovely touch that added real theatrical sparkle.

LEOS Youth Group delivered a vibrant, confident and thoroughly enjoyable production. It was encouraging to see such commitment to a classic musical, performed with enthusiasm, discipline and clear enjoyment. A great show from a very strong youth company.

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