Outside Edge

Outside Edge is a play that relies heavily on character dynamics, timing, and the simmering tensions beneath the surface of an amateur cricket team. St Peter’s Hill Players delivered a lively and engaging production, full of personality, humour, and thoughtful creative choices.

Performances

Paul Keenan as Roger Paul gave a commanding performance as Roger, the bullying, obsessive captain whose need for control permeates every scene. His presence was strong and authoritative, yet he also revealed the gentler, more vulnerable side of Roger. The contrast between his bullish behaviour with the team and his wheedling, conniving attempts to get his own way was well judged and created excellent on‑stage chemistry.

Jacqueline Dowse as Miriam Jacqueline offered a steady performance as Miriam, though I felt she could have explored a wider range of acting choices to fully convey the emotional journey of a long‑suffering wife. By the time “the worm turns,” I would have liked to see a clearer contrast in her portrayal to mark that shift.

Andy Masters as Kevin Andy delivered an energetic, charming performance. His comic timing was superb, and the frenetic energy he brought to Kevin contrasted beautifully with the more grounded characters. His scenes with Gemma were especially strong, full of warmth and believable connection.

Gemma Dove as Maggie Gemma played Maggie with gentle poise and intelligence. Maggie is a character who quietly observes everything, and Gemma captured this beautifully. Her caring nature, sharp awareness, and subtle humour were all conveyed through thoughtful acting choices. Her chemistry with the rest of the cast was natural and engaging.

Kirk Bowett as Bob Kirk’s comic timing was excellent, and he made clever choices to portray a man desperately trying to hide his misdeeds from his wife. His drunk acting was particularly convincing and very funny.

Briony Sparrow as Ginnie Briony gave a heartfelt performance, using vocals and body language to convey a world of hurt—sometimes with just a glance. Her diva‑ish moments were delightful, and her energy lit up the stage. The clever use of body makeup to depict sunburn was a great touch.

John Webber as Dennis, Bobby Alner as Alex (they/them), and Lucy Kelley as Sharon All three contributed strongly to the ensemble, supporting the story and adding texture to the world of the play.

Lucy earned a spontaneous round of applause from the audience as she exited following Sharon’s attack on Alex — impeccable timing and very well deserved. Bobby played Alex with charismatic self‑obsession, and I must admit I rather enjoyed it when their character was finally confronted for such poor behaviour. The scenes involving the ladder were particularly well executed and very funny.

John portrayed the sleazy yet ultimately harmless Dennis extremely well — perhaps a little too well. For a modern audience, Denis’s behaviour can feel uncomfortable; the play was originally set in the 1980s, and it shows. The sort of conduct Dennis displays simply wouldn’t be tolerated by Miriam, Maggie, Sharon, or Ginnie today. It is always fascinating revisiting plays written before the 2000s, as they often highlight how attitudes toward women, people of colour, and the LGBTQ+ community have evolved significantly.

Director – Rachel Armitage For a first‑time director, Rachel handled the material with confidence and flair. When we spoke, her enthusiasm for the creative process was unmistakable, and that passion translated clearly into the production. Her set design and props were full of thoughtful touches, and she ensured the cast used every inch of the stage, resulting in a rich, well‑paced performance.

It was also evident that she had the generous support of the St Peter’s Hill Players team, including Producer Tony Hine, which helped bring her vision to life. I hope now that she has “caught the bug,” she will put herself forward for more directing opportunities. Actress‑turned‑director is a wonderful pathway into the role, and Rachel has already demonstrated her ability to build a cohesive, committed team around her ideas. I will be very interested to see the next production she directs.

Stage Manager – Gus Sparrow Gus and his backstage team kept everything running smoothly. Their coordination was evident throughout.

Props & Furniture – Heather Butterworth Heather had a huge task managing the food, cricket gear, and numerous set items. Everything was well organised and consistent—a job very well done.

Costumes – overseen by Sharon Antony Sharon’s eye for detail captured the 1990s perfectly. From Mim’s apron to Ginnie’s sundress and the carefully chosen handbags and shoes, the costumes grounded the production in its era. Kevin’s oversized items were an especially clever touch.

Front of House & Hospitality

I received a warm welcome from Dawn Cadwallader, who also served as rehearsal prompt. FOH Team: Gary Cadwallader, Lesley Sparrow, Paul Connor, Liz Connor, and Margaret Glenn.

Your programme and promotional material were excellent. The photography was creative and engaging, and the photo shoot at Caythorpe Cricket Club was a particularly nice touch. Your social media presence was full of clear information and attractive images; I do hope this translates into plenty of “bums on seats,” as you certainly deserve strong audiences for every performance. Sadly, I cannot put your programme through to the NODA competition this year, as the incorrect logo was used. Here is the link with all the information you will need for next time: https://www.noda.org.uk/programme-and-poster-competition

It is always a pleasure to visit St Peter’s Hill Players. You are a supportive, collaborative company who work together to produce work of real quality at The Guildhall Arts Centre. I also enjoyed meeting some of your players who attended as audience members—always a lovely sign of a strong, connected group.  The audience last night clearly appreciated the play, laughing along with every situation and giving you a huge round of applause at the end.  I hope the rest of your run is as enjoyable and successful as last night’s performance. Break a leg.

 

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