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Oliver

Author: Peter Breach

Information

Date
19th May 2016
Society
Spalding Amateur Dramatic & Operatic Society
Venue
South Holland Centre, Spalding
Type of Production
Musical
Director
Charles Long / Brett Moore
Musical Director
Anthony Grunwell / Colette Coleman
Choreographer
Abi Kingsley-Parker

Spalding Amateur Dramatic & Operatic Society linked up with The Biz Theatre School from Boston for this production of Lionel Bart’s musical “Oliver”, based on the novel “Oliver Twist” by Charles Dickens. This popular work depicts life in early Victorian London, highlighting the issues of child poverty and neglect of the elderly – both of which continue to be of concern in society today. The well-choreographed dance routines energetically performed by the young players got this production off to a lively start. Liam Exton (as Oliver Twist) displayed confidence and clearly demonstrated his vocal prowess in his rendition of “Where is Love” and Freddie Fitzpatrick (as the Artful Dodger) showed excellent stage presence. Zack Colam (as Mr Sowerberry) was convincing as the smarmy undertaker. Nigel Hancocks (as Fagin) gave an excellent performance as the comically repulsive character that persuaded youngsters to steal from people in order to provide for him in his old age; his delivery of the song “Reviewing the situation” was faultless. Daisy Ivatt (as Nancy) was particularly well cast and capably performed all her songs, though I thought the ending of “As long as he needs me was” sounded a little strained. Peter Williams powerfully portrayed the menacing character Bill Sykes. A couple of adult players got into a muddle with their lines and the lovable bull terrier “Lola”, playing the part of “Bullseye”, preferred to demonstrate feelings of affection by frantic tail-wagging and licks rather than any signs of ferociousness! The costumes were very appropriate. There was a good balance of sound between the musicians and the vocalists and the stage crew made the set changes promptly to maintain the pace. It was heartening to see the high standard of theatrical skills being acquired by the young players.

    

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