My Fair Lady

My Fair Lady is probably the most famous rags to riches story ever told and after a few years off the amateur scene, it was an absolute delight to see this timeless classic again in the lovely Kilmarnock Palace Theatre. Now, for My Fair Lady to be a success it heavily relies on the characters of Eliza Doolittle and Henry Higgins. The production team were in an excellent position where they could cast two Elizas, Pauline Ferguson and Cassidy Murray. There was no rest for the leading lady on a night off either, as when not on as Eliza they took part in the maids ensemble. Hats off to both Pauline and Cassidy for the dedication on remembering all that differing dialogue, moves and singing when some of us, speaking completely for myself, can only cope with learning one part! Cassidy was performing the role on the night I was in and her take on Eliza was a triumph. From cockney flower girl to a proper lady, Cassidy was every inch the character balancing a gentle warmth and feisty nature to capture the characters journey. She also used her beautiful voice well making all Eliza's songs a joy to listen too, especially 'I Could Have Danced All Night'. I am sure Pauline excelled at her performances as well, and it was lovely to see a lot of supportive looks between the girls when they met on stage during the show, showing that they were in this together. Neil Warrander’s portrayal of Higgins captured a very eccentric and comical side to the character making Higgins very likeable. His contrasting renditions of an animated ‘I’m an Ordinary Man’, and the softer 'I've Grown Accustomed to her Face' should be commended. The two leading characters were very well supported by David Fyfe as Colonel Pickering, Fiona Currie as Mrs Pearce, Colette Dunsmore as Mrs Eynsford-Hill, and Fiona Douglas who shone as Mrs Higgins. Graeme Strawhorn impressed with good vocals and a gentle nature as Freddy Eynsford-Hill. Now, where would My Fair Lady be without Alfred P Doolittle? Douglas Wardrop was perfect in this role. His 'I'm Getting Married in the Morning' had the audience laughing, clapping and singing along. The rest of the supporting principal line up excelled, capturing each scene and setting perfectly. The rest of the cast was made up of a superbly sounding ensemble. Congratulations must be given to the whole production team. Director Liz Daniels for her handling of this well-loved classic and clever use of set when transforming us from Higgins house, Ascot and Covent Garden, where the movement of the columns was very effective. Musical Director Tom Daniels, who's orchestra and cast made such a fantastic sound throughout each number showcasing impressive harmonies. Choreographer Marie-Anne McGrattan for utilising the stage space exceptionally well in each scene and showcasing the ensembles best abilities in her creative and very period fitting movement and dances. A huge well done to the entire cast, crew and committee working hard behind the scenes on a fantastic success.  

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