Made in Dagenham

Downfield Musical Society’s production of Made in Dagenham took us back to 1968 Essex, where the women of the Ford Dagenham car plant make history in the fight for equal pay. With a book by Richard Bean and songs by David Arnold and Richard Thomas, this vibrant musical tells the story of Rita O’Grady, a seamstress who becomes an unexpected leader for her fellow workers. As Rita, brilliantly portrayed by Alison Wylie, finds her voice, she stands against the patriarchal norms of the era and challenges the very system that devalues women’s labor.

The show opens with “Busy Woman,” a lively number that captures the bustle and exhaustion of balancing work, family, and household chores. Alison Wylie shines in her role as Rita, capturing her journey from reluctant spokesperson to empowered leader with warmth and charisma. Her chemistry with Matthew Millar, who plays her husband Eddie, is compelling, especially during the heartfelt “I’m Sorry, I Love You.” Matthew Millar’s portrayal of Eddie is layered, showing a man grappling with the changing roles and expectations in his marriage.

Sophie Mercer as Barbara Castle, the Labour politician who championed equal pay, brings wit and authority to the role. Mercer’s performance in “Ideal World” is both commanding and charismatic, showing Castle’s determination to push for change. Carol Michalak as Connie, the union rep, brings a moving depth to her character, especially in the poignant “Same Old Story,” revealing the struggles and sacrifices that women have endured for equality.

The ensemble of factory girls adds both energy and humor to the show. Daisy Johnson as Sandra, gave a lively entertaining performance, Abbey Adams as the sharp-tongued Beryl, added grit and comedic relief and Karen Young was an endearing Cass; each bring individuality to their roles, delivering standout moments in the rousing “Everybody Out.” 

Stuart Young is a sympathetic figure, as Monty, the well-meaning union man, caught between his loyalty to the union and his support for the women’s cause. Lorcan Dyer’s portrayal of Mr. Tooley, the American boss from Ford, brings a humorous yet villainous edge, particularly in the satirical number “This is America.” Joanna Lesslie as Lisa Hopkins, wife of Ford’s executive Jeremy (Ewan Campbell), provides a surprising ally for the women, with her solo “Woa Men” highlighting her solidarity with their struggle. Graeme Smith as Harold Wilson brings levity and charm, giving an entertaining portrayal of the British Prime Minister in “Always a Problem.”

The large, multi-layered set was a standout feature, effectively shifting between the factory floor, the O’Grady family home, and governmental offices, bringing depth and realism to each scene. Bravo to the crew negotiating all the elements. The lighting design was equally impressive, dynamically enhancing mood shifts - from the hustle of the factory to the intensity of the union meetings and the spotlight moments of personal conflict, especially during the heartfelt solos. 

The music was infectious, audience pleasing with an energetic score that ranges from powerful ballads to upbeat anthems. Under the direction of Rebecca Waghorn and Billy Muir, the cast delivers each number with heart and humor, drawing the audience into the highs and lows of the characters’ journeys. The finale, “Stand Up,” brought the entire cast together in a unifying anthem of resilience and courage, leaving the audience both uplifted and inspired.

A touching, humorous, and ultimately empowering show that champions the spirit of solidarity and the ongoing fight for equality.

Very entertaining. Well done DMS. Thank you for the Invite. 

 

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