Legally Blonde

It is difficult to find enough superlatives to describe this production. The opening number ‘Omigod You Guys’ immediately established what was to be a vibrant, vivacious, dynamic production. This was a high energy show which moved along at a fantastic pace with everyone on stage totally committed to their own performance whether it be as one of the main characters or as an ensemble member. The choreography throughout was quite outstanding and delivered with real passion and slickness. ‘Whipped Into Shape’ was particularly memorable where congratulations must go to the vocally strong Brooke (Louise Everett), the fitness instructor who skipped and sang her way through the number with apparent ease - no mean feat! I didn’t see anyone falter when skipping either. The Irish dance ‘Flatley style’ was also amazing and delivered confidently. Indeed all the dance numbers were intricate and effervescent and yet looked effortless.

The so called ‘dumb blonde’ Elle Woods is dumped by her boyfriend Warner for not being serious enough but she is determined to follow him to Harvard Law School where Elle educates herself and not only finds the right man but establishes herself in a career in law. Laura Green was perfectly cast as Elle. She revelled and shone in this demanding role portraying a determined, sassy, stylish Elle. Vocally strong she absolutely nailed the big song and dance numbers and coped expertly with her many costume changes.

The ambitious Warner, the boyfriend, was convincingly played by Greg McCafferty Thomson contrasting his quite unlikeable, supercilious character with the latterly somewhat crestfallen, defeated Warner. With a great stage presence and natural lyrical voice he was well suited to this role. When things aren’t going to plan, Elle finds a soulmate in Emmett. Jo Purcell was a most gentle, supportive Emmett who displayed a real warmth in his characterisation and his lovely singing voice. He and Elle blended very well in the title song ‘Legally Blonde’.

Another outstanding character was the love sick Paulette (Rachael Anderson). Supportive of Elle, she gave a wonderful performance full of humour and perfect comedic timing. ‘Ireland' was fabulous and showed off her amazing, powerful voice. Initially timid due to unfortunate past relationships, there was no hiding her delight in meeting the swaggering Kyle (Cameron Kirby)!

Jo Heinemeier developed the character of Vivienne from the snooty, judgemental almost nasty Vivienne to the Vivienne eventually mellowing towards Elle very successfully. Russell Coid, an intimidating Professor Callahan, commanded the stage and his number ‘Blood in the Water’ was one of the many highlights of the evening.

Elle was most ably supported by her friends Margo (Anna Spence), Serena (Monica Fowler) and Pilar (Rebecca Drever) and all the Greek chorus all portraying their own individual characters with ease and confidence with outstanding energy and commitment in every scene.

There are many cameo roles in this show and each was played extremely well with not a weak link anywhere. Congratulations to the two dogs who behaved and performed beautifully.

This was a very well directed production which was not just about individual soloists or star performances but about obvious coherent team work. Every member of this hugely talented cast put their stamp on their individual character. From the dynamic opening to the final curtain this was a production full of energy from a vibrant cast who were well nigh flawless. The catchy musical numbers were well sung and supported by a strong orchestra who may on occasions have become a little over exuberant. Excellent lighting and very colourful, interesting costumes all enhanced this most uplifting production which I’m sure could challenge many professional productions of the same show.

Standing ovations and full houses were well deserved. A terrific production.

 

 

 

 

 

 

 

 

 

 

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