Legally Blonde

This is a high energy fast moving show with a feel-good factor, as it gives a clear message of you should never judge anyone by first impressions and be true to yourself.  Set in the American University system, which always puzzles me, I was very glad of the clear programme notes. The hired set worked well on this large stage, taking us to the various locations demanded by the show, with the stage crew working swiftly and efficiently so as not to slow down the action.  The lighting had been well designed and cued and helped create a good atmosphere for each scene.  The set had been well dressed and props well sourced.  The cast had been well costumed, with wigs, hairstyles and make-up all adding to the picture.

The show had been well cast with some strong performances but due to broad American accents some of the dialogue was lost.  The cast were committed and put a great deal of energy and enthusiasm into the singing, dancing and acting.  The slightly slower ‘Ireland’, sung by Jill Carter McCrae as Paulette, was a joy, I heard every word, and also Brooke’s ‘Whipped Into Shape’ came over clearly.  Frankie le Bon played Elle Woods with understanding, she developed from a ‘bimbo’ into a confident young woman.  The contrast with socialite Warner Huntington III, played by, Christopher King, who did not value Elle, and Emmett Forrest, played by James Everley, who had faith in her, was good, both giving convincing portrayals.  James Canning was confident as Callahan, the bloodthirsty and self-assured Law Professor; ‘Blood In The Water’ was clearly sung.  Felicity, Coster gave a mature performance as Brooke Wyndham, the accused murderer, whom Elle successfully defends.  All the ‘Sisters of Delta Nu’ performed with energy and confidence, supporting Elle all the way.  There was not a weak link in the cast and showed diversity of characters.  There were so many cameo roles which brought much humour such as delivery man Kyle.  I must not forget the canine thespians Hamish the Chihuahua, Elle’s ‘handbag’ dog Bruiser Woods and English Bulldog, Vera as Rufus, Paulette’s pooch, both behaving impeccably.

Musical Director, Malcolm Webb had good control of his orchestra and singers in all of lively, upbeat numbers in this show, with musicians never overpowering the voices.  Both he and Chorus Mistress Judith Sharp had worked well with the musical harmonies. The choreography from Gemma Short, was excellent and totally in keeping with the show.  It was lively, energetic and well-co-ordinated.  All the dancers looked well-rehearsed and confident.  The ‘Whipped Into Shape’ number was impressive, with Bend and Snap being great fun.

This is a show, which requires a large number of young people, or people who look young and Director, Russell Langdown, had a good balance of ages.  He had devised ways of making maximum use of the Theatre and guided his cast through a happy show, which gave the audiences a show they seemed to enjoy.

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