Jesus Christ Superstar

Jesus Christ Superstar is a 1970’s rock opera which tells the story of the last few days in the life of Jesus Christ through the troubled eyes of Judas Iscariot. For me this is probably one of the most difficult and moving show to be performed by any group but, in the capable hands of director Michelle Coulson, she was able to turn this rock classic into a spectacular piece of art which was both moving and well-staged. Music was in the capable hands of the Musical Director John Hudson and his five piece band; these talented musicians backed the singers without overpowering them and delivered some of the most beautiful music ever written. The choreography was outstanding in the capable hands of Helen Wilson who ensured the cast delivered high quality moves with the energy displayed only serving to heighten the tension of the story. Whilst the set was kept extremely simple it allowed the audience to concentrate on each individual performance and I particularly like the projection of Jesus’ life during the overture. Special mention must also go to Martin Warden and Craig Holt for the superb sound and lighting which supported and enhanced the many difficult and moving scenes. Costumes looked authentic and it was obvious that a great deal of time had been taken to create the overall effect and staging of this production. With over 40 characters and chorus on stage it is difficult to mention everyone but the emotion and characterisations from all the cast certainly brought this production to life and was a great testament  to the hard work that must have gone into the whole of this production .

The story was narrated by Judas played by Joseph Coulson; he delivered a dynamic and totally convincing performance, not an easy part to play due to the complicated musical numbers but as ever he gave 100% and delivered his musical numbers well. I particularly enjoyed “Heaven on their minds” and “Superstar” accompanied by the soul girls and angels. Ian Bianchi gave a passionate portrayal of Jesus of Nazareth; excellent vocals which lit up the songs with feelings of emotions. His song “Gethsemane” was beautifully delivered and matched his acting. The scene where he was subjected to the 39 lashes prior to his crucifixion was well delivered and emotional as he drew the audience in until the cross was lifted into place the whole image being enhanced by stunning lighting which created a magnificent ending to the show. Lucy McCabe as Mary Magdalene gave a strong performance some great acting and delivered one of the most iconic numbers ”I don’t know how to love him” beautifully showing great empathy to her character. The priests led by Grayson Wood as 'Caiaphas' and Lawrence Clark as 'Annas' delivered menacing characterisations as their hatred towards Jesus grew throughout the show - again they delivered their musical numbers well as did Adam Donald as Pontius Pilate who struggled with the decisions and torment he found himself in but great acting and loved his number “Trial by Pilate”. Impressively leading the 12 disciples with great vocals was Phil Martin as Simon and Gary Eglinton as Peter - I loved the number between Peter, Mary and cast ”Could we start again please”. In such a dark story a little comic relief is always welcome and the very camp Herod beautifully played by Lee Passmoor delivered all the laughs when he delivered his sassy rendition of King Herod’s Song.

Dryburn Theatrical Workshop delivered a wonderful production which had a terrific balance of a classic rock performance, heartfelt emotions and wicked choreography well done to all the cast and management team for a superb performance.

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