Jekyll and Hyde

My thanks to A.A.D.M.S. for their invitation see their latest production “Jekyll and Hyde” at the Met Theatre Abertillery. The very nature of this show is somewhat dark and not a little foreboding and certainly not an easy show for any society, or the audiences they hope to entertain. I am happy to say that this cast came out to tell a tale and did it with energy and purpose from the opening scene.

Callum Roberts as the notorious Jekyll & Hyde gave us a strong performance, as is demanded by this dual role. With high energy and strong emotional changes, he took on this very difficult principal role that in some of the more manic scenes had him battling with strong orchestral influences and some loss of understandable speech. These scenes however created such an emotional impact on the audience that they were totally engrossed with the visual character. A very good performance that I must admit left me totally exhausted just watching. My congratulations.

Leah Tedstone as the long-suffering Fiancé Emma Carew, gave a lovely performance with strong vocals and a confidence that grew with the character changes throughout the performance. Leah has an extensive vocal range that has been put to the test in this challenging role. Well done.

Rachel Williams as Lucy Harris the unfortunate “lady of the night” chosen by Hyde in his times of dominance, made the stage her own in an outstanding performance both visually and vocally. Her truly believable characterisation and emotional portrayal was a highlight. My congratulations to you.

The principal cast were well supported by Simon Shelford as Gabriel John Utterson, Jack Stuckey as Sir Danvers Carew and Alex Quin as Simon Stride.  Each member of the named cast within this production played an integral part within the story of both Jekyll and Hyde and their characterisation and stage presence was key to the success of this production.

The stage setting was very effective and the choreography with full cast and ensemble especially in the public house scene was well designed and executed. My congratulations to choreographer Eloise Beeching. The music score is very powerful and the orchestra under the guidance of Musical Director Rhian Evans, produced an excellent sound. My congratulations to Director Harry Bayton  and the production team. Very well done.

 

The views in this report are solely of the author.

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