Hey Li’l Man

Hey Li’l Man was an original play written and directed by Baz Stilinski a member of the society. Attending on opening night was therefore the World Premiere of a piece of theatre which turned out to be as the programme stated: ‘A journey of family life told through the eyes of a stranger who becomes involved when tragedy strikes.’

The play opened with us seeing family members hearing the news of a couple expecting their first baby. Nothing could be more normal in many respects and the portrayal of the characters did not prepare us for the eventual tragedy when it struck. When this took place, it was well acted and touching by those involved.

We were then taken on an emotional roller coaster involving the whole family until the reason for the involvement of other cast members seen throughout the play was revealed.

The play had a large cast involving some younger members of the society who all worked well together. Central to the play were the main characters Aidan played by Adam Clarke and Hannah played by Jagoda Grudzien. Both were very natural in their characterisation especially in how they showed the emotional distress they were having to live with. There were some excellent moments with Aidan and his younger brother Tom played by Luke McDonald where we saw some good quality acting. Special mention must be made of Aaron O’Mahony who met the challenges needed to play Dylan with sensitivity and understanding of the role he had. Aaron was ably supported by other younger actors Chloe McDonald as Shannon and Ameena Asad as Daisy.

The set was presented well throughout and worked well. Costumes were modern day and looked right for the characters.

I am aware one of the actors needed to take on an additional role with very little notice and therefore the reason for having lines written on props they used. There were occasions when some dialogue needed to be a bit clearer, but this did not take away too much from the play. 

Throughout the whole play, but especially the conclusion, it was delivered with sensitivity as the subject matter could be difficult for some people to witness.  If the director receives the opportunity to present this play again (and I hope they do) it needs just a few minor changes in places. Also on a minor point maybe have some drink in the tea mugs as it was very evident they were empty.

Despite these points congratulations must be given to Phoenix Players on performing this challenging and emotional piece of drama with a thought provoking final twist.

I look forward to seeing you all again at Once upon a Time in March 2018.   

© NODA CIO. All rights reserved.