Hello Dolly

Big, bright, and gorgeous, just a few descriptive words chosen from the myriad of positives applicable to this exuberant production. A gentle sounding overture from a balanced, accurate band, lulled the audience into thinking this was going to be a ‘nice’ show! The obvious, intended gradual build, led into a resonating, powerhouse finish, which set the tone for the rest of the production. Chorus, consisted of the almost obligatory different age, look and size, found in most amateur productions, but there the similarity ended. All dressed, styled and finished in a vibrant array of colourful, incredibly stylish costumes which were beautifully coordinated to accurately represent the era, an occasional rogue hemline was hardly noticed amongst the splendour, a definite visual treat! The infectious Jerry Herman tunes were sung with confidence, with accurate harmony clearly heard. Spirited choreography showed energy and distinct collaborated slickness, a definite tour de force of the show. Although slightly younger than would be expected, Dolly, as was intended by the writers, led the way. Filling the stage with warmth, her energy and charisma along with delightful animated facial expression, created a loveable character with just a smattering of manipulation and perhaps slightly less brashness than usually associated with the character. Add to this creditable portrayal, a glorious voice; hitting the high notes with ease and power. Her partnership with a suitably cantankerous Vandergelda worked well, with the acting talents of both actors ensuring a believable relationship slowly developed. With bundles of energy, Cornelius and Barnaby showed they most certainly did have ‘elegance’ when matched with the gracious Irene Molloy and delightfully flighty Minnie. However, even Irene’s creditable, heartfelt performance of ‘Ribbons’ could not deter from the fact, it would be an easily pleased man who found the rather plain hat in question, provocative! ‘Sunday Clothes’ clearly demonstrated the strength of the chorus, introducing even more fine choreography and glorious singing. A very funny and well-timed staging of ‘Stand up and March’ clearly showed the versatility of talent within the society. The stylish, simple set enabled a smooth, effective continuity, changing from a candy coloured shop to the street and Harmonia gardens without so much as a pause or hitch. The much appreciated waiters gallop did not disappoint. Slick and quick and ignorant of the slow positioning of the glorious chandelier, they appeared to float around the stage with an accuracy to be admired. This was a production to be proud of, full of special moments and fabulous attention to detail. It brought a smile to the face and put a song in the heart.

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