Great Expectations

A strongly visual production, the composite set was beautifully painted to suggest a jetty and with an excellent representation of a gentleman’s study. Atmospheric lighting and mist enhanced the action, with scudding clouds and gobos, although despite the designer’s best intentions, some actors avoided standing on their spot. The boat was very well done. An excellent choice of music set the scene and an original ‘Forge Song’ written by Annabel Thornton brought another dimension to the play. This was my first visit to see APS in action and the impression is of a sound company of actors, taking on a difficult text and making it work. It is difficult to co-ordinate the action with a narrator, but the Players worked hard to make it happen.

Magwitch was by turns menacing and appealing, building his relationship with Pip to a touching conclusion. Adrian Harding and Kit Stickland were particularly strong in the final act, with pain and passion running high. Lucy Bennett’s Estella became more convincing as she thawed. Miss Havisham flouted and flattered, stormed and simpered.  Colin Hart was an engaging Gargery. Jonathan Roberts and Steve Crumpler were a commendable partnership as lawyer and clerk. Peter Morris was a horribly smug and superior Drummle. Jack Evans brought energy, verve and skillful acting to the character of Herbert Pocket. Rosie Taylor-Wade was excellent as the haughty Young Estella.  Harrison Parks played a charming Young Pip and Austin Wookey was  a cheeky Young Herbert!

A good effort all round – well done APS.

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