Evita

This Society is not afraid of a challenge and didn’t flinch from facing the enormity of this extremely dramatic show. With an impressive composite set (Scenic Projects), atmospheric lighting (The Octagon), definitive costumes (Andrew Allen, Flame & Bath Theatrical) and style this performance ticked many boxes giving the audience a most entertaining evening.

The band gave a good rendition of the score with some enjoyable intricate playing, although it could have been louder in the more dramatic moments and the various obligato passages could have been better highlighted especially with such good playing. In a “sung-through” piece the band plays a significant role and the many varied colours and textures are as vital to the whole as the individual characterisations of the actors. This was a well played performance in the pit and warranted more attention from the sound desk (Northern Light Productions). 

The performance was strong with some excellent routines well drilled and performed with precision. The story line was clearly told and remarkably easy to follow. The bond between the descamisados and Eva was well drawn without excess and the upper classes appropriately haughty. Diction throughout was very good, so vital in such a piece, and this clarity put over well the changing political situations. There were some excellent contrasts portrayed although the violence was rather tame. The company work was extremely tight with everyone working for each other and the whole: displaying excellent teamwork. The demanding principal roles were well sung with diction to match the company and clearly defined characterisations. Every effort had been made to recreate the style of the piece, not just with costume, wigs & make-up, but in stature, poise and gesture. 

Eva’s decline and death was only lightly felt and no tears were shed, but the decline was rationally presented and the decision as to whether one should like Eva was left to the audience. The authors do not come down on one side or another, and this presentation steered clear of any emotional attachment. Che offered his cynical commentary with some biting irony. He developed a good rapport with the audience and created a portrayal that went well with his well phrased singing. Peron was appropriately dour and stiff while Magaldi gave some light relief with flair.  The Mistress proved that there is no singing without acting. The myriad of minor roles were ably portrayed by members of the company.

This show relies greatly on the commitment of the company and in this instance it was performed with precision and understanding. No one stepped out of the scenes except with purpose to advance the story line. Crowd routines were accurately delivered and harmonies well balanced. This lack of individuality highlighted Eva’s celebrity status almost as clearly as her stunning outfits. A most impressive and enjoyable presentation.

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