Dick Whittington

Director Kylie Ann Ford delivered a lively and traditional pantomime in Dick Whittington, packed with familiar themes and conventions that will have appealed to audiences of all ages. The production clearly embraced the spirit of pantomime, offering energy, humour, audience interaction and a strong sense of ensemble throughout.

Music played a significant role in driving the production forward. The live band added considerable energy and polish, with musical numbers performed tightly and confidently. The eclectic mix of music, ranging from Golden to Total Eclipse of the Heart, ensured there was something for everyone. Congratulations to Emily Palmer-Giles and the band for their contribution to the success of the show.

Choreography by Helen Wilson was delivered with enthusiasm and clarity. The dance routines were energetic, well-rehearsed and clearly enjoyed by the cast, which translated well to the audience. The community song was a particular highlight, with almost the entire audience encouraged to their feet – always a sign of a successful pantomime moment. It was also a joy to see younger members of the company performing with such confidence and obvious enjoyment, a reminder of how early a love of performance can begin.

The set was simple yet effective, supporting the storytelling well. While some scene changes would benefit from becoming smoother with further practice, the cast handled any minor mishaps with professionalism and quick thinking, often incorporating them seamlessly into the performance.

Costumes were colourful and eye-catching, complementing each scene effectively. The traditional pantomime device of Dame Sarah appearing in a different costume for each scene was particularly enjoyable and added to the visual spectacle.

The show opened with a creative flashback to Queen Rat’s childhood, mimed by younger company members behind gauze to give a nostalgic, old-time feel. This was well executed and set the story up clearly. Rachel Craig made a strong entrance as Queen Rat, emerging dramatically from a mischief of rats. She was a deliciously teasing villain, ensuring the audience booed enthusiastically, and her costume was particularly striking.

Ella Jenkins (Dick Whittington) and Emily Scotts (Alice) were well cast as the heroes and love interests of the piece. Both delivered their musical numbers with confidence and skill, producing impressive solos that showcased their vocal abilities.

Jessica Ingle brought warmth and humour to Fairy Rosemary, a fairy in training desperate to master her wand. Her journey was met with enthusiastic audience support, culminating in a well-earned cheer when she finally succeeded.

Mark Lamb (Captain Sealegs) and Zed Card (Alderman Fitzwarren) both contributed strong comic performances, adding fun and character to their roles.

Hannah Purvis gave a graceful and skilful performance as Tommy the Cat. Her rendition of Midnight from Cats was a standout moment, beautifully sung while also embracing physical comedy when she literally “sang like a cat.” A delightful performance.

Narration by Steffen Peddie was a welcome addition, and the reveal that the narrator was in fact Tommy the Cat was a clever and effective twist.

Gavin O’Doherty was a whirlwind of energy as Dame Sarah, lighting up the stage both literally and figuratively. Their stamina and comic delivery were impressive, and the sheer number of jokes remembered was admirable.

Heather Scott delivered some genuine laugh-out-loud moments as Rodger, with excellent timing and expressive reactions. While the character left the reviewer wanting more, Heather made the most of every opportunity she was given.

Finally, Hannah Potter as Idle Jack was outstanding from the outset. Her comic timing, rapport with both cast and audience, and ability to keep everyone engaged were exceptional. She created a sense of excitement and unpredictability whenever she was on stage, a true mark of a skilled performer. A thoroughly deserved standout performance.

While the pantomime was enjoyable and full of strong elements, it did feel rather long and wordy in places. Some puns extended scenes beyond their natural conclusion, slightly affecting the overall pace. That said, the cast demonstrated excellent chemistry and worked together cohesively throughout.

Overall, this was an entertaining and spirited pantomime. Congratulations to the cast, creative team and crew on a production that clearly delighted its audience.

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