Yeoman of the Guard

Hull Savoyard

Yeoman of the Guard

 

Directed by Kathryn Lay and Musical Director Martin Lay

Cottingham Civic Hall

22/06/24

Who doesn’t love stepping back in time to see the world through the wonderful eyes of WS Gilbert and Arthur Sullivan. I think I say it every year, but I do love the fact that these timeless shows are still being done and to such a lovely standard. I understand that this is Hull Savoyards Amateur Operatic Societies 90th Birthday and what a way to celebrate than showing an audience exactly what a wonderful story can be told without all the bells and whistles of modern shows.

As I have come to expect from this talented group the musicality of this show was perfect. Harmonies, pitching, timing all hit the mark every time. With such hard, layered scores it is apparent that Martin Lay as Musical Director has worked extremely hard with the cast to create this melodic masterpiece. To accompany the excellent voices on stage was the equally brilliant eighteen-piece Kingston Savoy Orchestra. This group demonstrate excellently how listening to each other while playing so that every note fits perfectly.

The set and staging were minimal but very well used. This mainly consisted of a wonderful hired back drop, two excellently painted wings and a lifted platform at the back. It really enhanced the show but leaving enough place on stage for the quantity of cast to move without causing issues. Similarly, the costumes were spot on for the era the show was set and worked well to get each cast member in the right mind set.

Moving onto the talented cast. These individuals were well suited for their parts, and all stood out for various reasons. Dame Carruthers played by Val Marshall was wonderful in this part with  both her acting and singing talent. Peter Jonas as Sergent Meryll was just the right mix of military mannerisms and fatherly affection. Samual Emeny played the assistant Jailor Wilfred Shadbolt who was so lovingly besotted he made the audience root for him. Elsie Maynard played by Alice Giblin, Wow, what a voice. Her wonderful soprano pitch shone across the hall. Phoebe Meryll played by Zoe Sellens had such great mannerisms  and quick wit shone through with every small movement of the character. Stuart Sellens playing Colonel Fairfax is made for Gilbert and Sullivan shows, everything from his acting, to singing is just so true and blends into the whole style. Paul Blenkiron as Jack Point was exceptional. He fit the part so well and was so enjoyable to watch it was hard not to smile when he was on stage.

I was so pleased to hear how well received the show had been over its performances as I do think shows like this are an important part of how modern musicals were developed. I am pleased every time I get an invite to have the nostalgic trip to theatres roots. I hope this group keeps going for another 90 years into the future to spread more Gilbert and Sullivan joy.

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