We Will Rock You

From the instant the lights went down at Sunderland Theatre Company’s “We Will Rock You”, the auditorium was charged with excitement. Every moment of this dazzling production was infused with energy, passion and a sense of pure theatrical joy. The company’s commitment to excellence shone through from start to finish, leaving audiences utterly breathless and desperate for more.  I’d certainly quite happily have sat through another round of “Bohemian Rhapsody”!  I was actually shaking when it ended.

The combination of exceptional performance, a live electric guitar solo from Dylan Stobbs, production team excellence and vision plus the most incredible technological support made this show a serious piece of theatrical art.

The cast delivered show-stopping performances of the highest calibre. Kristan Bailey was nothing short of phenomenal as Galileo, possessing a vocal power and emotional resonance that left the audience awestruck.  Taking on Freddie Mercury’s vocals is no mean feat, certainly not one for the weaker vocalist which Kristan certainly isn’t, but his maturity and growth was very much apparent. Bailey’s command of the stage and ability to channel the spirit of Freddie Mercury was simply electric, drawing cheers throughout the evening. “I want to break free” was full of charisma and as his first number I did find myself surprised at Kristan’s growth.

Opposite Bailey, Olivia West’s Scaramouche was a triumph—a whirlwind of wit, strength, and vocal firepower. Her dynamic duets with Bailey were highlights of the night, their chemistry palpable and their voices soaring together in unforgettable harmony. The audience was swept along by their energy and charisma in every scene, and she looked fierce with that purple hair! “Someone to Love” was fantastic and her theatrical style certainly would make Freddie Mercury happy I’m sure.

Khashoggi played by the extremely versatile Mathew Clarke was excellent, a real strong baddie henchman, and the hologram gloves were such a perfect simple yet effective addition!  “Seven Seas of Rhye” was performed beautifully by him and the work that had gone into his vocal performance was very much notable.

Is there anything Rebecca Crackett can’t do? Answers on a postcard – anything?  Killer Queen was a fierce, beautiful, sexy vision in red, complimented beautifully by her fellow cast mates and some stunning lighting effects. “Fat Bottomed Girls” was a seriously sexy sassy number in delivery and “Another One Bites the Dust” was incredible.

It was wonderful to see Richard Butler return to the stage again as Buddy, whose comic timing was excellent and “These Are the Days of Our Lives” delivered beautifully, really moving for the audience giving life again to those gorgeous lyrics.

The Gaga Kids, Teen Queens, Police and ensemble were numerous and complimented the cost beautifully.

A particular highlight was the sensational electric guitar solos delivered by Dylan Stobbs during “Who Wants to Live Forever” and “Bohemian Rhapsody” – a real surprise for all and absolute credit to Brian Waldock-Leach for his vision. The auditorium erupted as Dylan unleashed a blistering performance, capturing the very heart of Queen’s legendary sound.  I’m sure Brian May would be proud!  Dylan also delivered a wonderful performance as Brit and had fantastic chemistry with Samantha Kennedy as Oz, whose  “No One but You” was utterly gorgeous and I was thrilled to hear her really showing off those powerful vocals.

The visionary direction of Brian Waldock-Leach assisted by Lisa Smith elevated the production to new heights. Every scene was crafted with imagination and flair, making full use of the stage and maintaining a breakneck pace that never flagged. The seamless transitions and tight ensemble work reflected a director in total command of their craft.

Kate Walker’s choreography was a spectacle in itself—dynamic, inventive, and executed with precision by an enthusiastic cast.  I saw elements of Fosse, jazz, contemporary, ballet and delivered with such precision I got bored of myself writing the word down in my notes!  The ensemble numbers dazzled with intricate movement and synchronisation, generating waves of excitement that reverberated through the theatre. They really set the scene, and she had clearly put some seriously hard work into the perfected delivery.  So cast – when she’s insisting you run it again, clean and polish – this is the reason why!  You then deliver exceptional visual performances. Radio GAGA especially had some incredible formations in the small space, as did Killer Queen which I LOVED especially the intricate hand movements and Headlong which was absolutely exceptional.  Kind of Magic, Another One Bites the Dust too – well all of them in fairness.

James Pennell-Tutill’s work on the vocals supported by Principal Vocal coach Michael Brabbs and Ensemble vocal coach Gemma Smith was extremely clear to hear with a fully ensemble supported vocal delivery for every number (other than Freddie’s vocals) which is no mean feat whatsoever.  Very impressive.

Crucially, the technical support throughout the performance was nothing less than outstanding. I do often chuckle as technical crews tend to joke if they’re not mentioned in the NODA report that’s a good thing!  However Mark Turner of Brightstar Light & Sound and Duncan Baxter of East Durham Audio really delivered here.  Lighting effects enhanced the rock concert atmosphere, with blinders, lasers and moving coloured setting, while expertly managed sound ensured every lyric and note rang out with clarity. Scene changes were flawless , with the use of blinders rather than a blackout and the technical crew’s attention to detail contributed immensely to the immersive experience, making the spectacle even more unforgettable.  Incredible work you two, really exceptional here.

The ensemble delivered boundless enthusiasm, supporting the principals with vibrant characterisation and infectious energy. Every production element—from costumes to set—was of a professional standard, reflecting the dedication and talent of the creative and technical teams alike.

Sunderland Theatre Company’s “We Will Rock You” wasn’t just a performance—it was an exhilarating celebration of theatre, music, and teamwork. Exceptional vocal performances, jaw-dropping musical talent, inspired direction, terrific choreography, and flawless technical support combined to create an unforgettable evening. Congratulations to all involved for setting a new diamond standard in the region and ensuring this production will be talked about for years to come.

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