Top Hat

Erewash Musical Society’s production, Top Hat, brought old-school Hollywood glamour to the stage with style and charm. Top Hat follows American dancer Jerry Travers, who travels to London to star in a new show where he meets the elegant Dale Tremont, love quickly blossoms, but a case of mistaken identity leads to confusion, comedy, and a whirlwind of song and dance across London and Venice.

Gabryl Oleshko gave a smooth and charming performance as Jerry Travers, perfectly matched by Louise Potter as the beautiful Dale Tremont. The chemistry between them was effortless, and their dancing together was elegant and engaging. Their duets, “Isn’t It a Lovely Day” and “Let’s Face the Music and Dance”, were beautifully performed, showcasing their vocal talents. Gabryl also shared excellent comic moments with Martin Lewis as Horace Hardwick, the contrast between their characters providing plenty of laughs.

Martin Lewis was perfectly cast as Horace Hardwick, bringing a wonderful sense of timing and humour to the role. His scenes with Kathi Ludlow as Madge Hardwick were a highlight, and their duet “Outside of That, I Love You” was both funny and well-delivered. Kathi’s characterisation of Madge was lively and confident, and she lit up every scene she was in.

James Christian gave a flamboyant and highly entertaining performance as Alberto Beddini. His comic energy was infectious, and his number “Latins Know How” had the audience laughing throughout. John Wedgewood, as the ever-resourceful Bates, was another audience favourite. His clear voice, clever delivery, and versatility in the undercover scenes made him a joy to watch.

The casting of these principal roles was spot-on, with every performer truly shining in their part.

The Chorines danced wonderfully, and the Ensemble worked well, each taking on a variety of roles including reporters, hotel guests, taxi drivers, a pilot, hotel managers, waitresses, waiters and maids. Scene changes were handled efficiently, often by the cast themselves, maintaining a seamless flow throughout. There were strong harmonies delivered that added depth to the ensemble numbers. Special mention must go to Evan Hagen who sang beautifully as the Hotel Manager.  

Great Direction and Choreography by Abbi Burns and Vicky Byrne, the show was well-paced, and full of clever comedic touches like the shower cap and steak, every detail was thoughtfully executed. The choreography was tailored to suit the talents of the society’s members, allowing everyone the opportunity to shine.

Jonah Williams did an excellent job as Musical Director. The live band sounded fantastic, in a time when so many groups rely on backing tracks, it was refreshing to hear live music performed with such skill and balance.  The technical aspects were equally strong. Lighting by Stephen Greatorex enhanced every scene well, and the sound design by Granite AV Solutions was clear and well-balanced, ensuring the dialogue and music blended well.  The costumes were stunning! a true team effort, many of them made to measure or lovingly adapted from the EMS wardrobe, and they looked great! The female leads, Louise and Kathi, wore particularly striking outfits, perfectly suited to each scene. When Dale danced, her dress swirled magnificently under the lights, capturing the glamour of the era. Everyone looked equally sharp in their top hats and tails, and the consistent colour theme of the hotel staff costumes added a great touch to the production.

Behind the scenes, Stage Manager Mark Robbins and his dedicated team deserve huge credit for the set design and construction. There was a sophisticated black and gold theme throughout the design and the set transformed seamlessly between so many different venues, a hotel lobby, a taxi, a plane, bedrooms, bars, among others. The back of the stage was used very well, it became an elevator, beach house, and bar, adding great variety. One particularly impressive moment came when the balcony appeared almost magically for Dale Tremont’s entrance.

Props were spot-on for the period, from vintage telephones to elegant drinks tables. I must mention the outstanding floral displays, particularly the large flower horseshoe, which was looked incredible.

Erewash Musical Society, now with over a century of history, continues to thrive and impress audiences with their creativity and passion. Top Hat was a joyful production full of heart and humour, congratulations to all involved.

I very much look forward to seeing their next production, Boogie Nights, in March 2026.

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