THE TEMPEST

I felt the opening duologue, which I understand was pre-recorded gave a rather one-dimensional effect to the opening, and whilst having a basic knowledge of the play and the plot, I was not entirely au fait with what was going on – which was born out by some audience reaction in the interval, as not everyone is completely in tune with Shakespeare.

I liked the set, in that it had an upper level, although it was slightly underused, the tree was a masterpiece, and provided a definite focal point.  There were few props, but those that were used were suitable. 

Lighting was excellent – the rain and storm effects were really atmospheric, and I loved the use of the purple light, which gave Ariel an ethereal look.  The music also suited the overall feel of the piece.

I liked the long tunic costumes which the main characters wore – they looked good, however I felt Trinculo’s dress did not quite fit the ‘look’, and the Sprites, Stephano and Adrian looked a little out of place as their apparel was not in keeping with the other cast members.

Ben Dards (Prospero) gave a good portrayal of the revengeful character, indulgent with his daughter and harsh with his brother and noble household when they fell into his realm of power. 

Daisy Bates and Chloe Whitney-Bamford (Miranda) performed on different nights – I was only able to witness Daisy’s performance, which I thought was good, she got the innocence and charm of the part, and a good relationship with Ferdinand.  My assistant Rep saw both ladies perform, and I am assured that Chloe really stepped up to the plate in her first major dramatic role, also giving an engaging performance.

Phoenix Oakwood (Ariel) got the exact right feel and look to the part, ethereal and dynamic, his costume echoed the movement, which was very well choreographed, I was impressed with this well-crafted performance, enhanced by his movement in and out of the purple lighting, and use of the tree to further enforce his character.

Matt Eyles (Caliban) gave a very well-studied performance, sly and vengeful, his costume was just right too.  Johanna White (Stephano) and Emma Brown (Trinculo) formed a good comedy trio with Caliban.

Shirley Jones (Alonso) and Simon Theodorou (Gonzalo) formed the ‘old guard’ – I found the wavering voice of Gonzalo a little one-dimensional, which sometimes lacked clarity, but he acted well.

Carla Kedzierski (Sebastian) and Massimo Petronio (Antonio) plotted together continually even when they weren’t in the action – I particularly liked Carla’s delivery, she was very clear and precise.

Nate Chatterley (Ferdinand) acquitted himself well in the first dramatic role I have seen him in – and got a really believable relationship with Miranda.

Luke Walsh (Adrian/Boatswain) showed a good understanding of the requirements of his parts, and much improvement, good to see.

Lilli Gregory and Summa Topham as ensemble, provided support to the cast where needed.

My thanks to the Director for hosting us, and providing detailed information about the production and the actors, which was much appreciated.

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