The Tales Of Odysseus

The Tales of Odysseus is the latest ambitious adventure from Weavers Academy, and what an odyssey it proved to be. Each year the “Tales of…” project unites the Academy’s own talented pupils — actors and musicians, — with Year 5 children from several local primary schools. Around 200 young performers take part in every performance, creating a spectacular, joyous show only a “Tales of…” production can deliver. This year’s instalment plunged us headfirst into Homer’s epic world. Not only did it enrich the primary History curriculum, it whisked pupils into ancient Greece through a theatrical experience they’ll remember long after the final curtain.

Poseidon, God of the Sea — played by Emily Sivers — served as our narrator, offering a running commentary laced with sarcasm.

Jydedah Rehoboth’s Odysseus strode across the stage with effortless command, blending charm, cunning, and conviction when outwitting every obstacle.

The legendary Achilles, portrayed by Finley Peploe, gave us a surprisingly tender glimpse into his myth — hiding among girls to avoid the war, only to be unmasked by Odysseus and nudged toward his destiny.

His mother, Thetis (Paula Petrauskaite), fluttered anxiously around him, doing everything a sea nymph mother possibly could to keep her boy safe.

Back home, Penelope (Millie‑mai Morrissey‑Jones) showed steadfast devotion, holding faith for twenty long years that her wandering husband would one day return — and she made us believe it too.

Menelaus (Jax Gardner), Paris (Zuzanna Torsz), Helen (Olivia Wilson) and the ensemble from Weavers Academy added colour, humour, and personality in every scene, each performer contributing their own sparkle to the tapestry of the tale.

The young choir at the performance I attended were a delight — disciplined, unified, and clearly loving every moment. They rose as one, sang as one, and sat as one, with good timing. Their energy was infectious, and the setlist of ten songs — from Roar to Food Glorious Food, Revolting Children, and a jubilant Dancing in the Streets finale — fitted each scenario.

Costumes were excellent, props cleverly conceived and well used. The sheep and cows were a particular favourite of mine (though I suspect the cow‑costumed performers shed a few kilos in the heat). The boat and the looming face of Polyphemus, the cyclops, added much to the narrative.

The orchestra, under Michelle Reading’s direction, played with gusto and skill — occasionally too much gusto, as some dialogue was swallowed by the swell of sound. A few sound hiccups occurred, likely in valiant attempts to compensate. Lighting remained simple, clean, and effective throughout.

Michelle Reading — creator of the “Tales of…” project — and her dedicated team should be immensely proud. Months of hard work, planning, and rehearsal were evident in every moment.

And let’s not forget this was all performed on the hottest day of the year. Yet the cast soldiered on like seasoned professionals, delivering a vibrant, polished show despite the heat. True troopers, every one of them.

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