The Pirates of Penzance

Melbourne Operatic Society’s The Pirates of Penzance at the Duchess Theatre was a thoroughly enjoyable production of this much-loved comic opera. With music by Arthur Sullivan and libretto by W. S. Gilbert, the story follows the young Frederic, who, having been mistakenly apprenticed to a band of pirates, seeks to leave them upon reaching his 21st birthday. However, complications arise through a paradox involving his leap-year birthday, alongside his love for Mabel, one of the Major General’s daughters. Filled with wit, humour and memorable music, the piece offered a great evening of entertainment.

This production was an important milestone for the society, celebrating 100 years since their first production in 1926, which was also of The Pirates of Penzance. This centenary is a remarkable achievement and one which the society can be very proud. The strong audience turnout across all performances, alongside the evident appreciation of Gilbert and Sullivan they created a warm and enthusiastic atmosphere, with many clearly enjoying the familiar and much-loved score from the very first notes of the overture.

Musically, the production was in very safe hands under the direction of Musical Director and Conductor David Henshaw, who led a 13-piece orchestra with confidence. The orchestra provided excellent support throughout, producing a well-balanced and engaging sound. The overture was particularly enjoyable, immediately drawing the audience into the world G and S.

Throughout the show, the standard of singing across the company was consistently strong and well delivered. The harmonies were secure and well blended. Notably, this production was performed without head mics, and every word could be heard clearly. This showed the cast’s strong projection and clear diction, which helped create a really enjoyable musical experience.

Among the principals, Mike McGhee gave a strong performance as Major General Stanley. His delivery of the famous “Modern Major General” was great, enhanced by some fresh and modern lyrics.

The pirates opened the show with “Pour, oh pour the pirate sherry,” providing a lively and confident start. Samuel, the Pirate King’s lieutenant, was well portrayed by Pete Bostock. Alan Lowe, as the Pirate King, gave a commanding performance, and his rendition of “Oh, Better Far to Live and Die” was a highlight, delivered with confidence and flair. Another pirate who stood out was James, played by Alexander Skerritt, who brought a flamboyant and engaging characterisation to the role.

Andrew Rushton also gave a strong performance as Frederic, the pirate apprentice, demonstrating a clear and confident vocal quality throughout. Katharine Dryden, as Ruth, provided a well-rounded portrayal, and her interactions with Frederic and the Pirate King were great. Their trio, in ‘A Paradox’, was well performed, showing good interaction between the characters.

Among the Major General’s daughters, Mabel played by Allie Sturla impressed the audience with her lovely voice, showcased beautifully in “Poor Wand’ring One.” Edith, played by Helen Blatch, Kate by Jenny Smith, and Isabel by Sandie Clark, all contributed well to the chorus of daughters. The daughters brought charm, and strong vocal unity to the stage.

The Sergeant of Police, played by David Stapleton, provided an enjoyable performance, leading the police in “When the Foeman Bares His Steel” with good characterisation. The police ensemble embraced their bumbling nature effectively, adding to the humour of this number.

The production team, led by Producer Melvyn Edwards, with Assistant to the Producer Jean Edwards and Creative Assistant Ria Fingerhut, clearly worked together well to deliver an engaging production.

Visually, the production was equally successful. The set was simple yet highly effective. and functioned well. Scene changes were managed smoothly under the guidance of Stage Manager Andy Hubbard maintaining the flow of the performance. The projections on the back wall, created by Martin Mould, enhanced the setting and atmosphere of the scenes and the lighting was effective by Dave Martin.

A special mention must go to the costumes co-ordinated by Wardrobe Mistress Susan Baker. Costuming across the entire company was outstanding! The pirates, the Major General, the policemen, and the daughters all looked superb, with clear attention to detail. The additional accessories, particularly the pirates’ weaponry and costume detailing added authenticity and visual effect, with everything appearing to be of a very high quality.

We received a lovely warm welcome from the Front of House team and the availability of a commemorative centenary book in the foyer provided a fitting opportunity to reflect on the society’s long and proud history.

Many congratulations to Melbourne Operatic Society for this successful and polished performance. Audiences can now look forward to their next production, Summer Serenade in July.

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