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The Mikado

Author: Michelle Cooper

Information

Date
1st November 2024
Society
Kington & District Amateur Operatic Society
Venue
Lady Hawkins' Community Leisure Centre
Type of Production
G&S
Director
Lynne Owens
Conductor and Musical Director
Lorna Firth
Accompanist
Kath Ainsworth
Producer
Lynne Owens
Written By
W. S. Gilbert and Arthur Sullivan

The Kington & District Operatic Society delivered an enchanting and lively performance of Gilbert and Sullivan's The Mikado, capturing the wit, charm, and satirical brilliance of this beloved operetta. Under the skilled direction and production of Lynne Owens and the musical guidance of Lorna Firth, the cast brought Titipu to life with vibrant energy, polished vocals, and delightful comedic timing.

Steve Hollinghurst commanded the stage as The Mikado of Japan, bringing an authoritative presence to his role. Russell Painter as Nanki-Poo showcased both strong vocal ability and heartfelt emotion, seamlessly balancing the comedic and romantic elements of his character. Mark Beaton's portrayal of Ko-Ko was a highlight of the evening, with impeccable comedic timing and natural stage charisma that kept the audience entertained throughout.

Tim Hollinghurst delivered a versatile performance as Pooh-Bah, demonstrating strong acting skills and a rich vocal tone. Jim Smith brought a good characterisation to the role of Pish-Tush, while Jess Squire as Yum-Yum delighted with her lovely soprano voice, blending beautifully with Russell Painter’s tenor vocals. Dilys Hollinghurst (Pitti-Sing) brought energy and vibrancy to her role, while Abigail Hollinghurst (Peep-Bo) offered a sweet and endearing performance.

Karen Spooner delivered a fiery and commanding performance as Katisha, combining powerful vocals with a striking and slightly menacing stage presence, enhanced by her sharp nails or should I say talons?!

Special mention must also go to Violet Darch as Kari-Oki, whose expressive performance in a non-speaking role added nuance and charm to the production. Her assistance with scene transitions was seamlessly integrated.

The set and costumes were a visual treat, with vibrant colours and thoughtful designs instantly transporting the audience to the whimsical world of Titipu. The attention to detail in both costuming and set design added depth to the production.

Musically, the show excelled in its ensemble and small group numbers. Standout moments included "As Some Day it May Happen" (Ko-Ko and Chorus of Men), the iconic "Three Little Maids from School" (Yum-Yum, Peep-Bo, Pitti-Sing, and Chorus of Girls), and the beautifully harmonized "Brightly Dawns Our Wedding Day" (Yum-Yum, Pitti-Sing, Nanki-Poo, and Pish-Tush). The trio "Here’s a How-de-do" (Yum-Yum, Nanki-Poo, and Ko-Ko) sparkled with playful energy, while "On a Tree by a River" (Ko-Ko) followed by "There is Beauty in the Bellow of the Blast" (Katisha and Ko-Ko) provided a truly memorable moment. A special mention must go to Accompanist, Kath Ainsworth, whose superb playing throughout the production brought the score to life with precision and an excellent sense of pace.

Throughout the evening, the ensemble pieces were well choreographed, allowing every cast member an opportunity to shine. The interplay of humour, romance, and social satire was expertly balanced, resulting in an engaging and thoroughly entertaining performance.

In summary, Kington & District Operatic Society’s The Mikado was a delightful evening of music, comedy, and visual splendour. Congratulations to everyone involved, and thank you for your warm hospitality—it is always a pleasure to catch up with Frank and Pam.

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