The Little Mermaid

The Little Mermaid is a much-loved Disney story, currently being brought to life on stages up and down the country, and it was a real pleasure to be invited to Lochaber Showstoppers to see their production. This was a confident and thoroughly enjoyable performance, full of energy, commitment and clear affection for the material. Sian Barr delivered a charming performance as Ariel, capturing the character’s curiosity and warmth. Amber MacInnes took on the role of Prince Eric, and the decision to cast a woman in the role worked well, much like the familiar tradition seen in pantomime. Leah Williams shone as Flounder, bringing brightness and enthusiasm to the role. Millie Henderson portrayed Scuttle effectively, and Sebastian the crab was handled with ease and confidence by Amly Lieder, providing a strong presence throughout. Andrew Poulton gave a solid performance as Grimsby, and Phill Dexter’s portrayal of Ursula in drag was a particularly interesting choice that proved successful, adding a bold and entertaining dimension to the character.  

Jetsam and Flotsam, played by Ash Millar and August Macadam-Slater, worked together seamlessly and were excellent in their supporting roles. Prentice Kirk demonstrated versatility by taking on the largely voice-based role of King Triton, while also doubling as Chef Louis with a completely contrasting performance. This showcased both skill and adaptability. The mersisters - Emma McPhail, Mary Anne Macleod, Debbie Macadam-Slater, Maya Lev, Alice Campbell and Leah Burns - blended well as an ensemble, delivering cohesive and engaging performances. 

Overall, this relatively small cast managed the demands of the show admirably. The staging and projections were used effectively to create atmosphere and support the storytelling. The live band, under the direction of Hamish Baillie, provided musical backing, adding to the production’s overall success. It was also heartening to read in the programme about the dedication of the Showstoppers Orchestra, with some members having been involved since the 1990s.  Alice Campbell was in the role of Director for the first time and supported by Co-director and Choreographer Leah Burns, it was clear that the company were in good hands. Liz Falconer in her role as vocal coach ensured that everyone was vocally ready for the production. All in all, this was a very good production, full of heart, talent and a clear sense of community spirit. 

Well done! 

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