Sweeney Todd
Information
- Date
- 13th February 2019
- Society
- Arbroath Amateur Musical Society
- Venue
- Webster Memorial Theatre, Arbroath
- Type of Production
- Musical
- Director
- Alan Christison
- Musical Director
- Richard Allan
- Choreographer
- Franky Anderson
This is not a show often performed because of its demanding nature so it was much anticipated. Immediately the set and the well disciplined company set the murky scene of nineteenth century London. Brian Boardman in the title role is totally in command throughout, tackling the part with great expertise. Playing opposite him, Heidi Cathro, as the failed pie shop owner Mrs Lovett, gives an all round accomplished performance, her character enabling Todd to exact his revenge on the society that unjustly separated him from his lovely wife and child. Distraught to learn of his wife’s suicide and that his teenage daughter, Johanna, is now being raised by Judge Turpin, the man who framed Todd and ravaged his wife, the barber begins his murdering spree with Mrs Lovett using the bodies to make her “amazing” pies. Anthony Hope, portrayed sincerely and nicely sung by Jonathon Milne, is the sailor friend of Todd’s who unknowingly falls for the innocent Johanna. Shannon Heenan tackles the purity of this part well, singing just as sweetly. Judge Turpin (performed imposingly by Fin MacDonald) discovers the lovers’ pact to marry and commits Johanna to an asylum. Luckily her lover flies to her rescue. Meantime shop assistant, Tobias Ragg, endearing himself to Mrs Lovett and the audience with a superb rendering of Not While I’m Around, discovers their dark secret. Ruaridh Mathieson brings palpable energy to this part, playing it to perfection. Judge Turpin’s associate Beadle Bamford’s suspicions make him another obvious victim. Ross McKenzie plays and sings this role splendidly. Finally Todd exacts his revenge on the judge setting in place his final demise. For those who haven’t seen it, I won’t reveal the surprising, shocking ending. Smaller but notable performances by Franky Anderson bringing panache to the role of Adolfo Pirelli and Marion Allan supplying humour and pathos as the beggar woman enhances the production. Other smaller parts were all well played. Indeed the whole production exuded confidence and conviction from the hard working, proficient band to the memorable chorus singing, to the excellent production team. Congratulations to all involved. You killed it, guys!!!! (Sorry for the pun!!!)
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