Sunshine On Leith

Sunshine On Leith never fails to be a big success with audiences and this production was no exception.  Based on the original musical version of 2007, the updated script and score takes us on the same journey of love, family, and relationships.  In the previous version of the musical, Rab’s affair with Margaret is referenced, and becomes a key part of the storyline.   However, in this updated version we meet Eilidh, his daughter that he didn’t know existed.  The special effects in the opening scene were atmospheric and the sense of war felt real as the soldiers brought us the opening number Sky Takes The Soul.   Jumping quickly to home territory we were introduced to Davy, played by Jonny Griffin and Ally, played by Kris Morrison.  This was a partnership that brought strong acting and vocal ability to the stage, and the sense of friendship and commitment to each other was always evident.  Liz, played by Kirsten Innes brought a solid performance and her friend Yvonne, played by Marina Kelman was equally as strong.  Vocals, accents, and sentiments were well performed and their individual relationships with Davy and Ally worked well.    Rab, played by Gordon Downie and Jean, played by Sharon Taylor took us on a journey of strength through the ups and downs in their marriage, with great acting and timing.  Jean’s reflections through Sunshine On Leith were excellent and along with the background ensemble was emotional and poignant.  The addition of Eilidh, played by Fiona MacCallum Knox, in this version of the show brought a new dimension to the already high emotions in the storyline, and the role was well acted.  The ensemble singing was strong and in this updated score gave the opportunity for more involvement in the storytelling.

The originality of the set design by Catriona Cumming was quite special and it lent itself to all elements of the show.  Staging the show with minimal furniture and props on an open set worked well, and along with the special effects created an excellent backdrop for the production.    The music under the direction of Chris Pugh was excellent and the balance of sound between pit and stage was good.  The addition of the piper towards the end of the show brought together all the final feelings of emotion from the production.  This was a show that was well done with great ease.

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