Sunshine On Leith

This was my first time seeing this Sunshine On Leith 2018 revised edition with its new orchestrations and additional songs and throughout I noticed a few clever changes that allow the script to flow slightly better than the previous. More importantly I’m glad that Sunshine on Leith remains heartfelt and neatly homespun and the greatest hits of The Proclaimers still hard to resist. A sympathetically directed piece of theatre by Lynn MacFarlane, supported by an able band of musicians led by Musical Director Billy Muir and choreography by Kenny Christie.

The set was exciting and cleverly designed, constructed and used, boosted by a complimentary lighting plot and the whole space was used very well by the company. The ensemble were excellent and engaged in the drama on stage, really drawing the audience into their world with their acting and singing, creating the scenes effectively and delivering some powerful musical moments in solos and ensembles allowing the story to unfold. With noteworthy supporting roles played by Daisy Johston, as Eilidh, Lisa Tosh as Hazel, Marcus Wylie as the Barman, Karen Young as the Call Centre Trainer, Stuart Young as the Celebrity Chef, Sarah Lamont as the Wedding Singer, Nathan Forsyth as Andy and Sam Graham as Innes. Jem Clark, Nicole Grant, Ally Ogilvie and Dylan Whyte.

The principal roles of Rab and Jean were captured by Chris Wylie and Laura Ferrie. Both bringing the right amount of maturity and drama to their roles as they reflected on family values and working through Rab’s infidelity. Sydney Mulligan and Marlowe Simpson gave amazingly strong vocal and dramatic performances as Yvonne and Liz. For me the shining performances of the night came from the two returning soldiers Davy and Ally, played by Neil Hutton and Gavin White respectively. They were both convincing in their roles, taking the audience on a real journey with each of them. We as an audience felt so much from each performer as we laughed and cried.

Well done.

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