Spamalot

I must confess that I have never particularly been a Monty Python fan so I thought that perhaps this musical comedy adapted from the 1975 film ‘Monty Python and the Holy Grail’ would be lost on me. This being my first ‘Spam’ experience, the silliness, laugh out loud comedic moments and brilliance of the cast might have just changed my mind – slightly!

The stage was set very simply with back projection and either side of the balcony utilised as ramparts. Use of the large stage was maximised well. Lighting was all important and very effective. Costumes were absolutely stunning. Musical Director Owen McColgan kept everything running in perfect time, but the music was too loud in places, especially over speech.

The show set off at a fabulous pace with Richard Burfoot-Reed leading the way as King Arthur on his invisible horse and clip clopping behind (with his coconuts), came faithful servant Patsy, played by Benjamin Smyth whose facial expressions spoke volumes, especially in King Arthur’s song ‘I’m All Alone’, and his rendition of the iconic ‘Always Look On The Bright Side of Life’ was superb. Estelle Burfoot-Reed was outstanding as the Lady of the Lake, managing to have the right amount of sass without overacting and adding some great comedic value.

Although not mentioned separately, the whole cast should be applauded, from Knights of the Round Table, fish slapping Fins to glitzy showgirls, flatulent French Knights and the Knights who say “Ni” even Dennis’ Mum! Bethany Kember’s choreography gave us tap dance routines and high kicks, all notably outstanding.

To produce something this silly takes a lot of talent and to perform that silly piece, requires skill and commitment to the roles. Director Francene Harris and Kentish Players gave a slick, well rehearsed funny show. Something for which they can be justifiably proud.

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