Seven Brides for Seven Brothers

Seven Brides for Seven Brothers is a huge undertaking. To find two men available at the same time that can sing and dance competently is an achievement, but to find seven is a minor miracle - but find them they did!  They then triumphed again by finding seven highly competent ladies that all looked right (height, hair colour) and clicked with the seven men. It is such an intensely physical show that being able to “fit” with your dance partner is an absolute necessity.

The main brother, Adam, was played by Gary Jones. He threw himself into the chauvinistic part with gusto and gave us a consistent accent, great swagger, a touch of humility and some strong vocals. His female balance was Milly played by Aimee Clare, she showed us lots of sass, swagger and a softness. She was a great match vocally and together they had some lovely light and shade moments. The song that all three of them sang (Love Never Goes Away - Adam,Milly and Gideon) was beautifully done with all three parts coming through clearly. The six Brides - Alice (Katie Perkins), Dorcas (Maria Markland), Ruth (Amy Mason), Liza (Jessica Haslam), Martha (Hannah Kinsey) and Sarah (Gemma Chapman) were all fully immersed in their characterisations from the off. They all showed great stage awareness and let each other shine in some lovely individual moments but also worked like the well drilled team that they are in full chorus numbers. The six Brothers , Benjamin (Ben Drane), Caleb (Andrew Jordan), Daniel (Deni Griffiths), Ephraim (Ben Evans), Frank (Lewis Stephens) and Gideon ( Matt Orrillard) worked equally hard. Their individual characterisations were firmly in place too and I was pleased to see relaxed faces as the dancing got more demanding and intense - it can be very hard to keep character while throwing yourself around and trying to spot and catch, so well done boys. The six Suitors, Jeb (Tom Daniels), Nathan (Matt Copsey), Luke (John Nielsen), Matt ( Lucas Martin), Joel (Christian King) and Zeke (Sam Boulton) kept the Brothers and Brides on their toes. It is a good job that Stockport Plaza stage is so wide as watching all twenty doing the choreography that Tracy Harper trotted out to them was nothing less than a visual, whirling delight. I have heard that one of the brothers dropped a stone and a half during rehearsals and I am not at all surprised (where do I sign up?)  I always have a certain sense of expectation from Tracy’s choreography, I was not disappointed, she raised the bar, jumped over it and took it to completely new heights. To get non professional dancers attempting and achieving Russian Split Jumps from a stand (no spring board) is incredible, the grace, care and gentleness that all twenty showed to their partners when dancing can’t be taught , it has to come from being inspired and motivated.

Everyone’s dialogue and diction was clear, facial expressions good and the storyline came across very well. The children added some great movement and used the stage well. The Townsfolk were an added bonus and gave us some good dimensions , they really came into their own during all the dashing about chaos when searching for the missing girls. The set was a jigsaw masterpiece with sections clicking together and spinning round controlled very competently by Steve Hilditch, having the stage crew dressed as farm hands was a genius idea . The lighting plot fit well within the show and passage of time, season and mood was easily recognised. 

Paul Lawton (Musical Director) had obviously drilled hard and gave us a wonderful sound, pace was great and harmonies sounded strong, tight, pure and in key. Michael McCaw (Director) took the show and ran with it. I am certain, at times, there were logistical nightmares, but what we saw on the stage worked like a dream. The costumes all looked wonderful and it certainly helped having the Brothers and the Brides in coordinating colour. A point to mention that pleased me no end was the matching stage footwear (dance boots, New Yorker character shoes, jazz shoes) worn - this show was slick in every way and we could easily have been watching professionals. 

Well Done, everyone. Both myself and my guest loved it and greatly appreciated your wonderful hospitality. See you all again very soon.

© NODA CIO. All rights reserved.