Seussical
Information
- Date
- 16th November 2024
- Society
- Springers Amateur Operatic & Dramatic Society
- Venue
- Chelmsford Theatre Studio
- Type of Production
- Musical
- Director
- Mat Smith & Max Clarke
- Musical Director
- Callum Bates
- Choreographer
- Mel Pavelin
Seussical brings together all the Dr. Seuss characters we know and love in musical form and the result is probably best described as “bonkers but brilliant”. I will be honest, this isn’t the easiest story line to follow and I know from hearing the audience feedback that I am not alone in thinking this. But…once I decided not to try too hard to keep up with the somewhat bizarre plot and just sit back and enjoy the show I found myself fully immersed in this crazy and vibrant production.
The set, made completely in house, was everything I hoped it would be. Bright, wacky and completely true to the books with some lovely attention to detail. I particularly liked the tree/nest and the book references surrounding the doorway. Being a static set there were no lengthy scene changes which kept the pace of the show moving at a cracking rate. Lighting was subtle but very effective and props looked well made. The addition of smoke bubbles was a lovely touch and well received by the audience. There was some use of projection which again was effective although I did feel a lot more use could have been made of this. For example, in the circus scene…perhaps a projection of a big top or similar would have added to the overall visuals.
Costumes were stunning as was make up, particularly for the “birds”. Congratulations to everyone involved in creating such beautiful characters.
Sound was an issue for the first fifteen minutes and my guest and I did struggle to hear the vocals at times which was a shame. But it did improve and once the balance was there we were treated to some lovely singing. MD Callum Bates should be incredibly proud of the beautiful sound made by the entire cast – the harmonies were completely on point and added to the magic of this production. Mel Pavelin’s Choreography was also good, simple but clean with a bit of tap thrown in too which was a lovely moment.
So on to the performances…too many to mention individually so I will start by saying every single person suited their role perfectly and should be applauded for bringing so much energy, fun and love to their roles. It was evident that everyone was having a great time on stage.
This talented cast was led by the wonderful Alexander Owers as The Cat in The Hat. One of Dr.Seuss’s most recognisable characters, it was certainly in safe hands here. Alex brought mischief and chaos as well as some good vocals and well timed comedy. A really great performance. He worked well with Abel Brett as the loveable Jojo. Abel also sang well and gave an endearing performance that didn’t falter throughout.
Lula Hemmings gave some sass as Mayzie La Bird and was well supported by her three Bird Girls, Lois Gardner, Ellie Dunton and Maja Skoric. All four of these ladies have excellent voices, provided great harmonies and looked fabulous. On the subject of singing, a special mention to Emily Peplow as the Sour Kangaroo for some effortless vocal acrobatics! A lovely contrast to the gentle tones called for in many of the musical numbers.
Simon Brett looked adorable as Horton the Elephant and his duet with Katie Finch as Gertrude was a real highlight for me. Simon had a lovely warmth and gentleness about him which was right for the role.
But it was Katie Finch that really shone as Gertrude McFuzz, the bird with the single feather tail. Strong vocals and a stage presence that can’t be taught. Not once did she stray from character, and I know this because I couldn’t take my eyes off her even when in the background. What a find for Springers, I very much look forward to seeing what she does next.
The energy and love poured into this production was so apparent and particularly admirable given this was the Company’s third production of the day. Springers should be congratulated on their decision to include a Sensory Adapted Performance which I understand was a huge success. It is so important to make theatre accessible for all and I hope that not only do they continue to do this but that other groups will follow their lead.
Thank you to Co-Directors Mat Smith and Maz Clarke for bringing this production to Chelmsford. It was evident how much work and dedication had gone into this show and I left feeling full of joy. I would have happily watched it all over again.
Finally, and as always, thank you to the lovely front of house team who always greet me with such a warm welcome.
Victoria Carey
Rep for District 8
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