Rope

From the first view of the set for Rope, with its gothic colours of red & purple drapes, it was obvious this was going to be a special production. The pre-show music built the tension in readiness for the dramatic thriller that was to come.

Rope, written by Patrick Hamilton, is probably more familiar as one of Alfred Hitchcock’s classic films, albeit set in a different period and a different time. Briefly it tells the story of two Oxford graduates who kill a harmless fellow student just for the adventure and fun of it and, full of confidence, have a party to congratulate themselves on how clever they are. The body is present during the play hidden in a large chest which becomes the table on which the food and drink for the party is served.

This production by Leeds Arts Centre was riveting from the opening line to the closing. The play relies heavily on the three main characters. Wyn Brandon played very convincingly by Lizzie Relins as the chief protagonist put in a dominant performance. Leigh Dawson, as his guilt ridden partner, Charles Granillo descends into his inner self depending on the bottle more and more. Lastly the performance of Brian Diamond as Rupert Cadell, thoughtfully probing throughout and finally nailing the culprits. Excellent characterisations from all three?

As the evening unfolds Granillo becomes more and more agitated, shaking,  drinking and his demeanour is a sharp contrast to that of Brandon’s coolness and almost defiance, for someone to challenge his high-handed opinions. During a terrible thunderstorm and with the other guests having departed, tension builds when Cadell returns, obviously suspicious. Brandon cannot resist boasting about the murder. By this time Granillo is a total wreck and Cadell finally realises what has been happening. He explains his grasp of the situation and the final scene brings the play to a satisfactory conclusion.

Supper was served by Sabot (Ryan Mehmi) general manservant at Mayfair residence of the murderers.

The play was well cast, primarily with newcomers to the Society. Everyone gave a well-crafted performance. An excellent set in a small intimate venue which added to the tension that built as the play progressed. Good props, lighting, sound effects and costumes in keeping with the period. Indeed, it would be very difficult to find an adverse criticism for this production and many congratulations to everyone both on stage and off.

This was Spike Marshall’s first time as a Director and it must have been challenging at times, but it certainly paid off. Well done – here’s to many more. 

 

 

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