Rapunzel

Ferryhill Stage Society recently presented their annual pantomime, choosing the classic tale of “Rapunzel” for this year’s production. The performance marked a notable improvement for the group, both in terms of pace and overall quality, demonstrating the results of dedicated preparation and spirited commitment from cast and crew alike, plus some extremely hard work from director Kayomi Koya.  It really made the difference in setting the tone for the evening entering to a decorated staircase and hall, colourful balloon archway, candyfloss, raffles, tombola’s in a true circus atmosphere and of course the gorgeous choreographer Abby Monaghan greeting you at the top of the stairs with a smile and a cuddle.

From the outset, the improvement in pace was evident from last year, ensuring that the story moved along briskly and captured the audience’s attention throughout. The ensemble worked cohesively, displaying greater confidence and energy on stage. The direction ensured swift scene changes and well-rehearsed transitions, which helped maintain momentum without sacrificing clarity or character development.  The story followed the traditional Rapunzel tale with a touch of circus and family mystery thrown in for good measure.  The script was clever and well mapped by Kei Bailey, a new writer to me but I was suitably impressed. The script was well-paced and offered a good balance of traditional jokes and new material, appealing to both children and adults. The humour was accessible, and the cast’s delivery ensured frequent laughter without detracting from the story’s progression. The improved preparation was clear in the cast’s comfort with both the lines and the staging, contributing to a more polished final product and the short farce sketches on scene changes really made the difference.

There were several commendable performances, with particular mention to Vicky Tweddle, who took on the role of the pantomime’s “silly character” of Tilly Dilly-Dally as a step out of her comfort zone and she did so well. This was a significant departure from her usual casting, and she handled the comedic demands with gusto, energy and a clear sense of fun, bringing laughter and warmth to the audience. Her comic timing and willingness to embrace the absurdity of the role contributed greatly to the overall success of the show. She was largely paired with the versatile Ian Patterson as Dame Hilda and between them cracked the audiences up with their clear chemistry and hilarity.  The messy scene was certainly a hit and Ian’s ever changing wardrobe was very glam!

The character of Rapunzel was performed with poise and grace by Eleanor White. However, there was a wish from the audience for a little more expressiveness, particularly in the form of smiles, to further endear her to the crowd and enhance the emotional connection especially in final scenes with the Prince and finale. Her song “I Just Might” was beautifully soft on delivery.  Elsie McGowan was a clear and charming Madame Fortuna with very clear calming diction.  Hallie Koya was the most gorgeous young Rapunzel and the supporting cast provided energetic and engaging performances, ensuring that the classic pantomime humour landed effectively. “Let Me Entertain You” was fabulous with great energy from everyone and wonderful harmony – well done Faye.

The baddie of the piece Grimelda Hemlock was played by Danielle Beck who looked glamourous as ever as a very beautiful bad witch and delivering “Confident” like a pro, and unrelated baddie characters in the circus Leopold Swindell played by Daniel Riches and Hernia Swindell by Faye Rodgerson were brilliant.  Dan is growing more and more confident in his performances, portraying real charisma and I’m personally so proud of him for his growth, and Faye was just an utter delight as the bearded Hernia, with their humour being palatable and engaging.  Their opening number “It’s My Life” was lively and colourful, set in the circus with gymnastics and well-rehearsed choreography and “Bop to the Top” being a wonderful lively colourful number.

The Mayor Rufus Bluster lived up to his name and was well played by Rasheed Koya expertly accompanied by director and wife Kayomi Koya as Apricot Crumble his flustering assistant with “Chu Chi Face” being an absolute comic delight!  I really loved “Dance with My Daughter” especially knowing the family connection, it was really special to watch.

 Prince Lysander played by Dominic Dobinson was great in the dashing Prince role and “I See the Light” was delivered very well indeed with a candle lit ensemble.  Wormsley played by Steve Hill had great comic timing and accompanied the Prince very well with great comic delivery.  I loved seeing Robyn Watson revisiting the lion costume and being full of life and expression on stage

I have to personally say I was thrilled to see the Pringles tub making a repeat performance and think they should become an annual staple of a Ferryhill pantomime!

Ferryhill Stage Society’s “Rapunzel” stands out as a testament to hard work and the willingness to grow artistically. The increased pace, improved performances, and more precise preparation paid off, providing the audience with a delightful and entertaining evening.

© NODA CIO. All rights reserved.