Nabucco

Tayside Opera’s Nabucco at The Space Theatre delivered a powerful and thought-provoking performance that combined Verdi’s score with a modern-day setting that gave the piece new relevance and emotional weight. The choice to frame the opera in a contemporary timeline brought the themes of power, identity, faith, and liberation into sharp focus, echoing today’s global conflicts and sociopolitical tensions.

Jasmine Munns gave a fierce and vocally thrilling performance as Abigaille, bringing intensity, vulnerability, and command to the role. Her range and control impressed throughout,  

Zorbey Turkalp was a standout as Zaccaria, his rich, resonant bass capturing the strength and spiritual authority of the Hebrew priest. His commanding stage presence anchored many of the opera’s most moving moments.

Russell Malcolm, in the title role of Nabucco, portrayed the arc of the Babylonian king with depth and nuance. His descent from arrogance to madness and eventual redemption was compellingly played and vocally robust.

Lizzy Unsworth Wilson gave a heartfelt and lyrical performance as Fenena, delivering purity of tone and emotional warmth, particularly in her scenes with Ismaele.

Aidan T. Phillips, as Ismaele, brought energy and vocal clarity, serving as a strong counterpart to Fenena and helping to ground the opera’s emotional subplot.

Duncan Pirie, in the role of the Sacerdote, contributed gravitas and poise, while Euan Smith (Abdallo) and Susan Jenkins (Anna) gave strong supporting performances, rounding out a solid and well-balanced ensemble.

Fraser Grant’s direction smartly emphasised the opera’s themes of tyranny and spiritual resistance by reimagining the setting in a contemporary socio-political landscape. The modern costumes and minimalist set design worked in harmony to support the narrative without distraction. Wardrobe choices clearly delineated sides and status while remaining accessible and relevant. The lighting, simple yet effective, created mood and space with subtle shifts that enhanced the dramatic tension. Mike Pendlowski’s technical work ensured a smooth and immersive experience, with seamless transitions and atmospheric lighting that complimented both the vocals and the staging.

Musical Direction: Under Richard Johnston’s baton, the orchestra provided a rich, emotive underpinning to the entire production. The balance between pit and stage was well-managed, supporting the singers without overpowering them. Johnston’s interpretation of Verdi’s score was both sensitive and dynamic, capturing the opera’s grandeur and intimacy in equal measure.

A triumph of storytelling, talent, and musical artistry. With standout performances across the cast, thoughtful direction, and high production values, this is a production that both honours tradition and speaks directly to the present.

Bravo to the full cast, crew, and creative team!

Congratulations to all.

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