Matilda Jr

This emotive and affirming tale of a young Matilda reviled by her family and sent to a cruelly run school was well interpreted and performed by this group of young folk. Keen and well coached, the whole cast sang and moved with intent and understanding. The ensemble numbers of the likes of Miracle, School Song, The Chokey Chant and Revolting Children were powerfully sung, clearly enunciated and acted with slick moves, all within their grasp. Olivia Hunter captured the unhappiness and determination of the role of a Matilda who sought refuge in books and imagination but who was ready to call out unfairness. Both in her singing, like in Naughty and When I Grow Up and in her acts of rebellion, she caught the essence of fairness while rousing the sympathy of her audience. So too did Siobahn Lydon with Miss Honey - also bullied and unappreciated - with her engaging reserve and her interest in Matilda and in teaching. Her singing of This Little Girl and her gentle, caring demeanour was a total contrast to the confident, loud Miss Trunchbull. Rose Taylor splendidly conveyed her dominance in song and action and particularly in body language and facial expression. She towered on stage particularly in The Hammer and The Smell of Rebellion. The other adult roles continued the split between cruelty and sympathy. As Mr Wormwood, Tess Mckie was suitably brash, dishonest - loved the green hair and stuck on hat reactions - and naively inventive creating an oasis of humour while Ellie Powell gave a spiteful, selfish but lithe Mrs Wormwood. Then Erin Mackintosh as Mrs Phelp the librarian presented a milder side. Her belief and excitement in Matilda’s stories encouraged and gave hope. Other characters - like Lavender played by Madeleine Johnston who grew as a friend and challenged Miss Trunchbull; Bruce played by Leah Gregory who was made, realistically, to eat a huge cake; and the athleticism of the Acrobat Sophie Banks and Escapologist Christina Wood - all added to the credibility and fun. Others in smaller parts characterised their roles. Costumes fitted the bill: uniforms for school pupils; the trench coat and boots complemented and cemented Miss Trunchbull’s character; the homely cardigans and plain clothes suited Miss Honey and Mrs Phelps; and then with more flamboyant, attractive attire for Mrs Wormwood and spiv like gear for Mr Wormwood. In this restricted space, scenes were changed deftly and swiftly with movable scenery effectively draped over easel-like flats and with easily lifted props. Lighting was apt and sound amplified the young voices well. The young cast presented an enjoyable and successful performance that revealed their talents, commitment and enthusiasm. Congratulations to all involved.

© NODA CIO. All rights reserved.