My Fair Lady

“My Fair Lady” is one of the most popular and staged musicals.  One question that is repeatedly asked is “what is a box office show?” and “how can we get those bums on seats?”...and Keighley MTC’s production certainly was that – the production team of Kevin Moore, John Sandland and Judith Chapman are to be congratulated on this superb production.

From the opening to the finale the company showed us how to stage this iconic Lerner and Lowe musical, which is based on the George Bernard Shaw classic “Pygmalion”.

Principal roles were superbly cast and all had great singing voices. 

Mark Rundle played the pompous Professor of Phonetics, Henry Higgins, expertly.  He was faultless in his delivery of both lib and score – clearly knowing this part inside and out.  I particularly enjoyed hearing “I’ve Grown Accustomed to Her Face”.

Nicky Burrows as Eliza Doolittle was a joy to watch and listen to.  From her “down in the gutter girl” start to the transformation into a lady fit for the Embassy Ball she oozed confidence and style to deliver a beautiful portrayal of Eliza.  Musical numbers were a joy to listen to – what a stunning voice.  Congratulations Nicky – a perfect role for you to perform!

Jonny Tate was superb as Eliza’s father – Alfred Doolittle - and the company number “I’m Getting Married in the Morning” was one of the many highlights of the show.

There were strong supporting roles from David Brett as Colonel Pickering, and Katharine Hickman as Mrs Pearce, along with Reece Raymond as Freddie Eynsford-Hill and Louise Hindle-Barton as Mrs Higgins.

John Sandland’s orchestra made a beautiful sound – it was a joy to hear such a large orchestra play at such a level that they never overpowered the voices on stage.

I must mention Oliver Trenouth on sound – it was as clear as a bell constantly throughout the performance.  Every word spoken and every note sung could be heard with clarity all the way through.  This was also due to the excellent diction of the cast members too – which is very important when “accents” are required in the production.

The costumes were fantastic – and I particularly loved the Ascot scene which was breathtaking in white and black, with stunning millinery.

Technically the show was excellent – scenery, props, lighting and sound all contributed to this stunning production.

Well done to everyone involved!

 

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