Musicals Through Time – A Concert Through the Decades

As Regional Councillor for NODA West Midlands, it is always a delight to attend a performance by Coleshill on Stage, whether it be a pantomime, musical, or concert.

The setting, as with previous concerts performed by CoS, featured seating for 32 members of the society, and the atmospheric back lighting on arrival immediately set the scene.

Andrew Smith, as Musical Director, also took on the role of Master of Ceremonies, guiding the audience through the proceedings by introducing not only the musical pieces, but also the performers, some of whom were new to the society. Andrew always comes across as extremely passionate about the company, and I am sure his enthusiasm spreads to everyone involved.

I was surprised to hear that rehearsals had taken place over only seven weeks. In addition, the musicians had met just three hours before the performance, meaning there had been no full band call beforehand.

Even without knowledge of such a tight schedule, I must state from the outset that the standard throughout the entire evening was exceptionally high. Knowing the circumstances only leads me to conclude that the show was truly amazing.

When attending a concert, I always enjoy hearing a mixture of familiar pieces alongside numbers I do not know, and Coleshill on Stage achieved this perfectly, so well done to all involved.

The programme was extensive, featuring no fewer than 26 pieces, some of which consisted of medleys, making it almost impossible to mention everyone individually. The programme included solos, duets, and full company numbers.

I will begin with Suddenly Seymour from Little Shop of Horrors. The whole show had originally been scheduled to take place in 2023; however, due to a major problem at the venue, it was cancelled just hours before opening night. The quality of this number, sung by Bex Harding and Daniel Butler, was brilliant.

This was by no means the only standout performance of the evening. There’s a Fine, Fine Line from Avenue Q was beautifully performed by Ariane Mitchell. With the show currently running in the West End, I am sure Ariane’s portrayal of Kate Monster was every bit as good as any professional production. Similarly, Oliver! remains a timeless classic, and Molly Bennett delivered a superb rendition of Nancy’s As Long As He Needs Me.

Laura King gave a simply wonderful performance of Something Wonderful from The King and I, while Karen Smith sang a beautifully clear rendition of I Don’t Know How to Love Him from Jesus Christ Superstar. Caroline Butler was equally impressive with You Must Love Me from Evita.

The Letter from Made in Dagenham is a tender and emotional number. In a concert setting the piece can feel somewhat out of context; however, this did not stop Tom Willson from delivering it with great sensitivity and feeling.

I must also congratulate Pauline Peach and Hannah Trowman for their excellent performance of I Know Him So Well from Chess.

I was seated next to family members of Libby Mitchell, a new member of the company, who were rightfully proud of her rendition of Naughty from Matilda. I do wonder whether this is her favourite musical, as I could not help but notice her enthusiastically singing along during the company number from the same show.

Turning to some of the company numbers, all were very well delivered, with strong harmonies throughout. These included many personal favourites of mine, not least Come Follow the Band, Together Wherever We Go, Love Changes Everything, Whistle Down the Wind, and a medley from Wicked.

Anyone who knows me will be fully aware of my obsession with Les Misérables. I will only accept the very highest standard from anyone performing music from the world’s greatest musical. Fortunately for CoS, they delivered that quality and more.

The finale from Kinky Boots was a truly remarkable piece and left me feeling full of joy and thoroughly uplifted.

Thank you to everyone at Coleshill on Stage for a superb evening. Next up for the society is Calamity Jane, which I am very much looking forward to. Then, in 2027, audiences can enjoy Jack and the Beanstalk and Chitty Chitty Bang Bang.

© NODA CIO. All rights reserved.