Lockdown in Little Grimley

How delightful, after nearly 18 months of drought, to be able to see a production in person, and “Lockdown in Little Grimley” written for the current circumstances by David Tristram, was a good way to get back into harness!

I felt completely comfortable with the adherence to social distancing and other recommendations, and commend Redbourn Players on making this happen, particularly as the play would have lost its relevance if not performed at this time.

The two directors had different casts, with the exception of the lead actor, and we saw two completely different takes on the play, which was interesting.  The play in itself was humorous and touching.

Version 1, directed by Clive Crowther, was an altogether gentler version, with the redoubtable Andy Turner as Gordon, backed by Ann Mundye as Joyce, Hilary Violentano as Margaret and Mario Violentano as Bernard.  This cast brought a certain quiet understanding and acceptance of the strictures of lockdown.

The opening was a little slow, but not without humour.  Ann’s Joyce was the downtrodden member of the Society, very down to earth, whilst Mario’s Bernard showed him as slow but dependable.

I particularly liked Hilary’s interpretation of Margaret, quite upper class and correct, although I felt that with her chair placed as it was, it was not always possible to see facial expressions, and I’m assuming that people on the other side of the auditorium experienced the same feeling with Mario’s Bernard.

Version 2, directed by David Howell, was more fiery, making it a faster paced and altogether more edgy production.  It was interesting to see the difference in the way Andy played Gordon, when faced with Benita Gilliam as Joyce, Andrea Clare as Margaret and Trevor Oakes as Bernard.

Trevor, with a very Welsh accent, gave Bernard strong projection and a rather rough persona, which I liked.  Andrea’s Margaret was more racy and full on.  However, despite the chairs being placed the same, both characters made sure they faced the audience when speaking, which was helpful in getting the full benefit of the characters.

Benita’s Joyce was still downtrodden, but showed a bit of fire too.

As always, Andy Turner reacted to both casts with wit and understanding, turning in fine performances in both versions.

The setting was good, and also allowed the cast to wear what they felt comfortable in, and that was suitable for their characters, and lighting was good throughout.

My thanks to Redbourn for their hospitality and care – a very entertaining evening.

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