Joseph and the Amazing Technicolor Dreamcoat

It’s not difficult to see why this early collaboration between Andrew Lloyd Webber and Tim Rice has become one of the most loved musicals of all time. The biblical story is familiar to many, but it’s the music that continues to win over audiences across generations — and Ludwig Theatre Arts delivered a high-energy production that more than did justice to this show.

Originally written as a 15-minute cantata, Joseph and the Amazing Technicolor Dreamcoat has since been expanded, though it remains relatively short by musical standards. However, it more than makes up for its shortness with the “Mega Mix” finale —full-company medley reliving the whole show. The cast’s energy and enthusiasm throughout the show and especially this section was wonderful

The show opens with the Narrator, who guides the audience through the unfolding events. This character needs to command the stage with vocally and presence, and on the evening I attended, Chloe did exactly that. Her performance was compelling throughout, particularly in “Prologue” and “Poor, Poor Joseph.”

In the title role, Jack delivered a superb portrayal of Joseph. His performance was vocally strong, with “Close Every Door” standing out as a particular highlight — a moment that delighted the audience.

Pharaoh’s Elvis-inspired turn another audience pleaser, complete with swagger and plenty of “uh-huh-huhs,” was very well played by Ollie. Haydn gave good performances as Jacob and Potiphar, while Ava brought energy to Mrs. Potiphar, complete with high kicks.

Choreography was a consistent highlight throughout the show. Numbers such as “One More Angel in Heaven,” “Go, Go, Go Joseph,” “Those Canaan Days,” and, of course, the Mega Mix, were all delivered with precision.

Staging was both effective and imaginative. The permanent triangular motif and upstage rostra created a strong visual framework, while the clever use of smaller set pieces and thematic props — including a Las Vegas-style sign during Pharaoh’s number — added to the production.

The lighting design was impressive, with actors generally well-placed in their spots. The lighting team kept pace during the quick-change coat description sequence — no easy task. The use of LED lighting, including footlights, added modern touch.

Costumes suited the setting well. The brothers’ and Jacob’s comical “doggie” beards light-hearted humour, and of course, no Joseph would be complete without the coat — this one moved beautifully with every turn, adding energy and colour to the stage. The finale featured not one, but two parachute coats, with the second rising into the flies and filling the stage

Was the show a hit? Judging by the audience humming tunes as they exited — absolutely.

Ludwig Theatre Arts has once again proven its ability to deliver high-quality theatre. I, for one, look forward to upcoming productions — the ‘nun-stop’ musical comedy Sister Act and Matilda Jr. in July, followed by The Wizard of Oz later this summer.

Thank you for the invitation — it was a thoroughly enjoyable evening, and I look forward to the next show.

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