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Johnstone Phoenix Youth Theatre present - Jack and the Beanstalk

Author: David Black standing in for Craig Inglis-McDonald

Information

Date
19th December 2025
Society
Johnstone Phoenix Theatre Group
Venue
Johnstone Town Hall
Type of Production
Pantomime
Director
Craig Inglis-McDonald
Musical Director
Cat Clark
Choreographer
Amy Carrigan-Scott
Assistant Director
Murray Keir
Production Assistant
Amelia McDonald

This adaptation of Jack and the Beanstalk, written by Murray Keir and Craig Inglis-McDonald, provided significant enjoyment and engagement for both the cast and the audience.  Set in Johnstone Ridge, once a thriving and cheerful village, the story unfolds under the domineering rule of Lady Trudence Tumbleweed, whose bizarre regulations and severe fines have created a climate of fear.  At the heart of the story is Dame Trott and her chaotic family, including their much‑loved but milk‑less cow, Pat, who are desperate to save Trott’s Dairy and ultimately sell Pat to Mother Nature in exchange for magic beans.  Rumours of the Giant intensify the sense of danger, and the unexplained disappearance of those unable to pay their debts leaves the community increasingly anxious about its future.  When the beanstalk finally grows, Jack climbs it in a determined attempt to uncover the truth behind the Giant and the fate of the missing villagers.  Noah McSkimming’s likeable performance as Jack Trott paired effectively with Jorgie Allison’s bright and assured portrayal of Jill, creating a strong and engaging central partnership.  Max Adams delivered a highly confident, engaging, and memorable Dame Trott, matched by the contributions of Emma McLean, Grace Todd, and Emma McCulloch as the remaining members of the Trott family— Silly-Billy, Milly, and Tilly.  Olivia Regan offered an assured and authoritative performance as Lady Tumbleweed, while Emma Lochrie brought warmth and presence to the role of Mother Nature.  The production also benefited from the contributions of Niamh Lock as Pat the Cow and Leonardo Sassi as the Giant, both of whom added character and humour to the story.  All remaining principals supported the production well, working alongside an enthusiastic ensemble cast.  Through strong singing, thoughtful stage direction, and inclusive choreography, each cast member was given an opportunity to shine, demonstrating a clear commitment to ensemble performance.  The production team as a whole merits recognition for the effort invested in achieving such a polished final outcome for this youth production.  This was another great seasonal pantomime, filled with songs, sparkle, and plenty of silliness that brought energy, fun, and community spirit to the stage.

 

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