Jekyll and Hyde

Jekyll and Hyde is based on Robert Louis Stevenson’s classic gothic novella and tells the story of one man with two very different personalities. Set in Victorian London we follow the story of the brilliant but obsessive scientist Dr Henry Jekyll who longs to find a cure for the madness that has struck his father. Whilst trying to find that cure he creates a drug that entirely alters a person’s personality. Whilst experimenting on himself he unleashes his dark sadistic alter ego, Mr Hyde, who wreaks havoc on the streets, murdering all those who stand against him.

The hired set for this show filled the stage; it was dark and imposing, a perfect backdrop for this evil tale. The various scenes were played out in the same place with only minor adjustments such as the addition of a chandelier or appropriate furniture. The first transition to the laboratory was perfectly executed and the bubbling jars and Bunsen burner flames added to the dark and foreboding atmosphere. The various levels on the set added interest and allowed scenes in various locations to take place simultaneously. The upper levels could have been utilised more during the various company scenes and songs, such as Façade, to create more of an impact.

The costumes were perfectly in keeping and helped to define the various characters. Lighting and sound complemented the show never distracting but helping to create the desired effect.

Although a live orchestra was not used for this show it did not detract from the overall quality of the performance but at times it did lack a little of the ‘guts’ of live music and the rawness that can sometimes add positively to the musical effect.

I must say that the individual performances in this show were stunning and I think I have to pick out Mark Hilton as Dr Jekyll and Mr Hyde, Lottie Morris as Emma Carew, Jekyll’s fiancée and Shelley Anne Rivers as Lucy Harris. The two girls created such different personalities on stage and their vocals were flawless. Shelley’s deep sultry tones contrasted perfectly with the light youthful tones used by Lottie. Both acted the more emotional scenes confidently and the seductive scenes between Hyde and Lucy at times were breath taking. Mark did a fantastic job in portraying the two very different personalities of Jekyll and Hyde. The ease at which the transformations took place and the subtle differences between the characters meant the audience was in no doubt as to who they were watching. The ‘Confrontation’ towards the end of Act 2 must have been so difficult to accomplish but came across brilliantly.

The company and minor principals ably and confidently supported the main characters. The choreography was effective but I would have liked to have seen more variety in the company movement. The prostitute scenes, however, were designed and executed very well, the pictures often created as backdrops to the main action were pitched just right.

I think what impressed me most about this performance was the story telling, although mainly sung, the story was clearly told and all the various characters did their part to ensure that no details were lost. 

I thoroughly enjoyed this difficult but well executed show. Well done to all involved.

 

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